Add to ORKGThe stability shortcomings of color photographs present special problems in library collections. With the exception of post- 1939 Kodachrome films that have been kept in the dark, most color photographs and non-Technicolor motion pictures made from 1935 until perhaps 1980 have by now suffered significant, even catastrophic, fading.published or submitted for publicatio
This article considers how the development and early uses of Eastman Color technology shaped its sta...
Film preservationists have been able to find methods to preserve traditional film stock for at least...
Until the 1940s, motion pictures were almost always received, filmed, and shown in black-and-white. ...
The stability shortcomings of color photographs present special problems in library collections. Wi...
October 6, 1993 will mark the 100th anniversary of the first U.S. copyright registration of a motio...
The subject of this article is the preservation of processed blackand- white photographic records i...
Modern cinema has several technical standards and tools that aims at reproducing it through differen...
Elsewhere I have discussed the transitional nature of film and argued that the current shift from an...
This public records and information leaflet number 19 provides guidelines on the identification and ...
"More than 30 years of continuing research into the preservation of photographic collections have le...
The Eastman Kodak Co. and their coupler-incorporated chromogenic print process, were nearly synonymo...
The history of color motion picture film is linked to two companies: Technicolor and Eastman Kodak. ...
COLORIZATION - WHY NOT? THE SAGA OF LEGEND FILMS Colorization is as old as the movies. In fact, it's...
© 2019 Informa UK Limited, trading as Taylor & Francis Group. The issue of the preservation of pho...
Kodachrome, the first practical color film, was introduced in 1935. "Becky Sharp, " the fi...
This article considers how the development and early uses of Eastman Color technology shaped its sta...
Film preservationists have been able to find methods to preserve traditional film stock for at least...
Until the 1940s, motion pictures were almost always received, filmed, and shown in black-and-white. ...
The stability shortcomings of color photographs present special problems in library collections. Wi...
October 6, 1993 will mark the 100th anniversary of the first U.S. copyright registration of a motio...
The subject of this article is the preservation of processed blackand- white photographic records i...
Modern cinema has several technical standards and tools that aims at reproducing it through differen...
Elsewhere I have discussed the transitional nature of film and argued that the current shift from an...
This public records and information leaflet number 19 provides guidelines on the identification and ...
"More than 30 years of continuing research into the preservation of photographic collections have le...
The Eastman Kodak Co. and their coupler-incorporated chromogenic print process, were nearly synonymo...
The history of color motion picture film is linked to two companies: Technicolor and Eastman Kodak. ...
COLORIZATION - WHY NOT? THE SAGA OF LEGEND FILMS Colorization is as old as the movies. In fact, it's...
© 2019 Informa UK Limited, trading as Taylor & Francis Group. The issue of the preservation of pho...
Kodachrome, the first practical color film, was introduced in 1935. "Becky Sharp, " the fi...
This article considers how the development and early uses of Eastman Color technology shaped its sta...
Film preservationists have been able to find methods to preserve traditional film stock for at least...
Until the 1940s, motion pictures were almost always received, filmed, and shown in black-and-white. ...