October 6, 1993 will mark the 100th anniversary of the first U.S. copyright registration of a motion picture. It was registered under the title Edison Kinetoscopic Records, but there is no known copy of the film, nor is it known what images it contained. That this significant first in film history did not survive is not only symbolic of the fate of thousands of films in the past, but also of that which may yet await the majority of the moving images produced today. Although the chemical composition of nitrate motion picture film is inherently unstable, in many ways a greater threat to the survival of these films was the attitude of producers and public alike. Films were considered as mere entertainment with no importance beyond im...
The link below is for the introduction of this book.Imagine the twentieth century without photograph...
Commissioned for and sponsored by the National Film Preservation Board, Library of Congress. The er...
How do the choices made by film archivists and restorers impact the way films are presented? How do ...
October 6, 1993 will mark the 100th anniversary of the first U.S. copyright registration of a motio...
The stability shortcomings of color photographs present special problems in library collections. Wi...
textWith the inception of cinema in the late 1890s, discussions relating to the preservation of film...
“A moving image is many things: a form of entertainment, an art form, an historical record, a cultur...
The transition from photochemical to digital has without doubt profoundly affected filmmaking and fi...
This paper explores the current controversies surrounding film preservation in the digital era. Ques...
The drawings for this exhibition are hand tracings of distressed film stock from early silent cinema...
Moving image archiving and preservation work concerned with the stewardship of media on photochemica...
The two motion pictures made with 20th Century Fox’s CinemaScope 55 [CS55] technology, Carousel (195...
Film archives have long been dedicated to preserving movies, and they've been nimble in recent ...
While film archiving, collecting and preservation practices go back to the origins of cinema in the ...
This thesis emphasizes the need to conserve nitrate silent films and to raise awareness that digital...
The link below is for the introduction of this book.Imagine the twentieth century without photograph...
Commissioned for and sponsored by the National Film Preservation Board, Library of Congress. The er...
How do the choices made by film archivists and restorers impact the way films are presented? How do ...
October 6, 1993 will mark the 100th anniversary of the first U.S. copyright registration of a motio...
The stability shortcomings of color photographs present special problems in library collections. Wi...
textWith the inception of cinema in the late 1890s, discussions relating to the preservation of film...
“A moving image is many things: a form of entertainment, an art form, an historical record, a cultur...
The transition from photochemical to digital has without doubt profoundly affected filmmaking and fi...
This paper explores the current controversies surrounding film preservation in the digital era. Ques...
The drawings for this exhibition are hand tracings of distressed film stock from early silent cinema...
Moving image archiving and preservation work concerned with the stewardship of media on photochemica...
The two motion pictures made with 20th Century Fox’s CinemaScope 55 [CS55] technology, Carousel (195...
Film archives have long been dedicated to preserving movies, and they've been nimble in recent ...
While film archiving, collecting and preservation practices go back to the origins of cinema in the ...
This thesis emphasizes the need to conserve nitrate silent films and to raise awareness that digital...
The link below is for the introduction of this book.Imagine the twentieth century without photograph...
Commissioned for and sponsored by the National Film Preservation Board, Library of Congress. The er...
How do the choices made by film archivists and restorers impact the way films are presented? How do ...