In Selling Digital Music, Formatting Culture, Jeremy Morris explores the digitisation of popular recorded music and its impact on the music industry. Morris highlights key points in the history of the distribution and consumption of recorded popular music from the 1980’s to the 2000’s to demonstrate that the transition from physical objects, like CDs, to digital music files was not an accident, but an intentional project that required great effort from hobbyists and technologists. The book contains case studies of five different technological developments, which are identified as the most impactful contributions that led to the reshaping of the music commodity. These advancements and trends, organized into the five main chapters of the book...
Charges of “selling out” and debates about the boundaries of cultural autonomy have played a pivotal...
This paper is included in the First Monday Special Issue: Music and the Internet, published in July ...
Today the potential for artists to retake control of artistic value of their own music may have come...
In Selling Digital Music, Formatting Culture, Jeremy Morris explores the digitisation of popular rec...
In Selling Digital Music, Formatting Culture, Jeremy Morris explores the digitisation of popular rec...
A book review of Popular Music in the Post-Digital Age: Politics, Economy, Culture and Technology. B...
The music industry has been in a state of flux for the past 20 years. Disrupted by the digital revol...
In the late 1990s, the MP3 became the de facto standard for digital audio files and the networked co...
Since its early days, the Internet has been used by the music industry as a powerful marketing tool ...
For the study of cultural economics, the music economy occupies an important role and thus is often ...
The article reviews the book "Music, Markets and Consumption" by Daragh O\u27Reilly, Gretc...
(Excerpt) Beyoncé’s release raises questions concerning the adequacy of common narratives about the ...
At its height, the U.S. recorded music industry brought in annual revenue of $20 billion. Since the ...
Review of Hip Hop DJs and the Evolution of Technology: Cultural Exchange, Innovation, and Democratiz...
Before the phonograph, when the final note of a piece of music finished, it would only exist in our ...
Charges of “selling out” and debates about the boundaries of cultural autonomy have played a pivotal...
This paper is included in the First Monday Special Issue: Music and the Internet, published in July ...
Today the potential for artists to retake control of artistic value of their own music may have come...
In Selling Digital Music, Formatting Culture, Jeremy Morris explores the digitisation of popular rec...
In Selling Digital Music, Formatting Culture, Jeremy Morris explores the digitisation of popular rec...
A book review of Popular Music in the Post-Digital Age: Politics, Economy, Culture and Technology. B...
The music industry has been in a state of flux for the past 20 years. Disrupted by the digital revol...
In the late 1990s, the MP3 became the de facto standard for digital audio files and the networked co...
Since its early days, the Internet has been used by the music industry as a powerful marketing tool ...
For the study of cultural economics, the music economy occupies an important role and thus is often ...
The article reviews the book "Music, Markets and Consumption" by Daragh O\u27Reilly, Gretc...
(Excerpt) Beyoncé’s release raises questions concerning the adequacy of common narratives about the ...
At its height, the U.S. recorded music industry brought in annual revenue of $20 billion. Since the ...
Review of Hip Hop DJs and the Evolution of Technology: Cultural Exchange, Innovation, and Democratiz...
Before the phonograph, when the final note of a piece of music finished, it would only exist in our ...
Charges of “selling out” and debates about the boundaries of cultural autonomy have played a pivotal...
This paper is included in the First Monday Special Issue: Music and the Internet, published in July ...
Today the potential for artists to retake control of artistic value of their own music may have come...