This thematic and stylistic analysis of the poem Marie Antoinette by Heine, one of the Historien taken from the famous Romanzero (1851), seeks to highlight the eeriness of the ancien régime personified by the ghosts of the queen and her ladies in the Tuileries palace after the revolutions of 1830 and 1848. The politically disappointed poet blames the aristocracy for being still bound to the Etiquette and for preventing the necessary social reforms proposed by the prince. For Heine, the light of reason should exorcise the wandering ghosts of a disturbing past
In Tod des Tizian (1892) the painted image and its verbal evocation carry out an important function ...
Martin Walser’s play Eiche und Angora (1962) deals with the persistence of totalitarianism-oriented ...
The aim of this article is to reconstruct the translation framework within which the rediscovery of ...
Theodor Däubler spent a long period in Florence. His participation in the Futurist evenings is a re...
Although the Fleißer-Forschung has always emphasized the link between Marieluise Fleißer and the str...
The paper discusses Hölderlin’s “first letter” to Casimir Ulrich Böhlendorff (December 4th, 1801) in...
This essay contends that the figure of speech chiasmus plays a central role in H\uf6lderlin\u2019s o...
This essay contends that the figure of speech chiasmus plays a central role in Hölderlin’s oeuvre, n...
Friedrich Hölderlin’s letter to his brother Carl (January 1st 1799), a major biographical and poetol...
A comparative analysis of the translations into Italian of Hölderlin’s Andenken realized in the 1930...
Johann Elias Schlegel’s writing for the theatre always pairs up with theoretical reflection. In his ...
The small production of the trouvère Hue de la Ferté is undoubtedly one of the few examples of histo...
After depicting the core function of correspondence for understanding Hölderlin, as well as contextu...
In the George-Kreis the category of “Gestalt” is often employed as a hermeneutic criterion for the i...
The paper discusses H\uf6lderlin\u2019s \u201cfirst letter\u201d to Casimir Ulrich B\uf6hlendorff (D...
In Tod des Tizian (1892) the painted image and its verbal evocation carry out an important function ...
Martin Walser’s play Eiche und Angora (1962) deals with the persistence of totalitarianism-oriented ...
The aim of this article is to reconstruct the translation framework within which the rediscovery of ...
Theodor Däubler spent a long period in Florence. His participation in the Futurist evenings is a re...
Although the Fleißer-Forschung has always emphasized the link between Marieluise Fleißer and the str...
The paper discusses Hölderlin’s “first letter” to Casimir Ulrich Böhlendorff (December 4th, 1801) in...
This essay contends that the figure of speech chiasmus plays a central role in H\uf6lderlin\u2019s o...
This essay contends that the figure of speech chiasmus plays a central role in Hölderlin’s oeuvre, n...
Friedrich Hölderlin’s letter to his brother Carl (January 1st 1799), a major biographical and poetol...
A comparative analysis of the translations into Italian of Hölderlin’s Andenken realized in the 1930...
Johann Elias Schlegel’s writing for the theatre always pairs up with theoretical reflection. In his ...
The small production of the trouvère Hue de la Ferté is undoubtedly one of the few examples of histo...
After depicting the core function of correspondence for understanding Hölderlin, as well as contextu...
In the George-Kreis the category of “Gestalt” is often employed as a hermeneutic criterion for the i...
The paper discusses H\uf6lderlin\u2019s \u201cfirst letter\u201d to Casimir Ulrich B\uf6hlendorff (D...
In Tod des Tizian (1892) the painted image and its verbal evocation carry out an important function ...
Martin Walser’s play Eiche und Angora (1962) deals with the persistence of totalitarianism-oriented ...
The aim of this article is to reconstruct the translation framework within which the rediscovery of ...