This dissertation investigates the function of the sea in contemporary British and Irish literature, focusing on the following three novels: Dermot Bolger’s Temptation (2000), John Banville’s The Sea (2005), and Ian McEwan’s On Chesil Beach (2007). The analysis is divided into two main parts, where the sea is considered in its roles as a setting and as a symbol. The former section starts with a subsection on narrative and continues to investigate how the sea functions as a setting for childhood memories and for an escape from civilisation. It shows that the sea operates as a maker of character in all three novels, similarly to sea adventure fiction of the eighteenth century, whose protagonists also gained strength from it. However, it is th...