The purpose of this study is to investigate a segment of the process by which a film spectator extracts information from moving images and treats it cognitively to generate an integral experience of a film. A comparison is attempted between objectively measurable eye movement data and the participants? own reports of their impressions of a film sequence under three different task conditions. The results show that the cognitive processing of film information is influenced not simply by the presence or absence of a task, but by a combination of specific task content and the ways in which information is presented in the film, that is, its style. These findings are tentatively connected to theories of frugal heuristics in everyday decision-maki...
This thesis theorizes the viewing experience of narrative complexity in film from a cognitive perspe...
Movies often present a rich encapsulation of the diversity of complex visual information and other s...
Poster presentation at the Society for Cognitive Studies of the Moving Image, Franklin & Marshall Co...
Abstract Film is ubiquitous, but the processes that guide viewers’ attention while viewing film narr...
The purpose of this study is to investigate the effects of the stimulus dimension of the films (simp...
Abstract Attention in the “real world” fluctuates over time, but these fluctuations are hard to exam...
Viewers’ attentional selection while looking at scenes is affected by both top-down and bottom-up fa...
Viewers’ attentional selection while looking at scenes is affected by both top-down and bottom-up fa...
Master of ScienceDepartment of Psychological SciencesLester LoschkyFilm viewers’ eye-movements seem ...
Book synopsis: Largely through trial and error, filmmakers have developed engaging techniques that c...
In an experimental study, we analyzed the cognitive processing of a subtitled film excerpt by adopt...
Abstract: This article describes a new method for assessing the effect of a given film on viewers ’ ...
Abstract: This article describes a new method for assessing the effect of a given film on viewers ’ ...
In his book Visual thinking, Arnheim (1969) writes: ... cognitive operations called thinking are not...
How do we know when something is finishing? In everyday life there are no clips, cuts or frames that...
This thesis theorizes the viewing experience of narrative complexity in film from a cognitive perspe...
Movies often present a rich encapsulation of the diversity of complex visual information and other s...
Poster presentation at the Society for Cognitive Studies of the Moving Image, Franklin & Marshall Co...
Abstract Film is ubiquitous, but the processes that guide viewers’ attention while viewing film narr...
The purpose of this study is to investigate the effects of the stimulus dimension of the films (simp...
Abstract Attention in the “real world” fluctuates over time, but these fluctuations are hard to exam...
Viewers’ attentional selection while looking at scenes is affected by both top-down and bottom-up fa...
Viewers’ attentional selection while looking at scenes is affected by both top-down and bottom-up fa...
Master of ScienceDepartment of Psychological SciencesLester LoschkyFilm viewers’ eye-movements seem ...
Book synopsis: Largely through trial and error, filmmakers have developed engaging techniques that c...
In an experimental study, we analyzed the cognitive processing of a subtitled film excerpt by adopt...
Abstract: This article describes a new method for assessing the effect of a given film on viewers ’ ...
Abstract: This article describes a new method for assessing the effect of a given film on viewers ’ ...
In his book Visual thinking, Arnheim (1969) writes: ... cognitive operations called thinking are not...
How do we know when something is finishing? In everyday life there are no clips, cuts or frames that...
This thesis theorizes the viewing experience of narrative complexity in film from a cognitive perspe...
Movies often present a rich encapsulation of the diversity of complex visual information and other s...
Poster presentation at the Society for Cognitive Studies of the Moving Image, Franklin & Marshall Co...