This thesis investigates similarities and differences between Emily Brontë’s Heathcliff and Anne Brontë’s Huntingdon. Moreover, their conduct is compared to eighteenth- and nineteenth-century masculinities. Neither of the two characters corresponds with ideal masculine behaviour. As the novels progress they become increasingly depraved. But the causes to their wickedness are not self-evident. However this thesis argues that the gentlemen’s experiences and environments produce their selfish and offensive conduct. The analysis entails examinations of Heathcliff’s and Huntingdon’s respective manliness, personality, childhood and relationships with other people. Furthermore, to highlight their unpleasant behaviour, they are compared to other ma...
It is very difficult to make decisions, especially when one's future depends on it. The focus of thi...
This research was conducted to explore Heathcliff in Emily Brontë's Wuthering Heights novel psycholo...
The discursive and critical positions of the ‘classic’ nineteenth-century novel, particularly the wo...
Thesis abstract The novels of the Brontë sisters share numerous aspects: defiant heroines, male prot...
Wuthering Heights is considered one of the most controversial novels in the history of English liter...
This thesis aims to compare and contrast the main female and male protagonists in the novels Jane Ey...
This thesis discusses Emily Brontë's novel Wuthering Heights through the character of Heathcliff, mo...
In Wuthering Heights, Emily Bronte employs the character Heathcliff as both a real and mythic being ...
This thesis is a study on the causes and effects of the main male character?s revenge on both the li...
Emily Brontë’s only novel Wuthering Heights challenged the traditional literary conventions due to i...
It is said that novel, as one of the literary work, is a mirror which reflects human attitude, human...
In this thesis, I examine the domestication of the Gothic hero-villain in Charlotte Brontë’s Jane Ey...
The aim of this dissertation is to analyse how Emily Brontë’s novel, Wuthering Heights (1847), displ...
This thesis will illustrate how the issues of race and social class in Emily Brontë’s Wuthering Heig...
If Wuthering Heights is a love story, it is also a story of violence, excess, passion and transgress...
It is very difficult to make decisions, especially when one's future depends on it. The focus of thi...
This research was conducted to explore Heathcliff in Emily Brontë's Wuthering Heights novel psycholo...
The discursive and critical positions of the ‘classic’ nineteenth-century novel, particularly the wo...
Thesis abstract The novels of the Brontë sisters share numerous aspects: defiant heroines, male prot...
Wuthering Heights is considered one of the most controversial novels in the history of English liter...
This thesis aims to compare and contrast the main female and male protagonists in the novels Jane Ey...
This thesis discusses Emily Brontë's novel Wuthering Heights through the character of Heathcliff, mo...
In Wuthering Heights, Emily Bronte employs the character Heathcliff as both a real and mythic being ...
This thesis is a study on the causes and effects of the main male character?s revenge on both the li...
Emily Brontë’s only novel Wuthering Heights challenged the traditional literary conventions due to i...
It is said that novel, as one of the literary work, is a mirror which reflects human attitude, human...
In this thesis, I examine the domestication of the Gothic hero-villain in Charlotte Brontë’s Jane Ey...
The aim of this dissertation is to analyse how Emily Brontë’s novel, Wuthering Heights (1847), displ...
This thesis will illustrate how the issues of race and social class in Emily Brontë’s Wuthering Heig...
If Wuthering Heights is a love story, it is also a story of violence, excess, passion and transgress...
It is very difficult to make decisions, especially when one's future depends on it. The focus of thi...
This research was conducted to explore Heathcliff in Emily Brontë's Wuthering Heights novel psycholo...
The discursive and critical positions of the ‘classic’ nineteenth-century novel, particularly the wo...