Add to ORKGThrough painting I seek to claim the gutter-line experience of non-location, articulating feelings that have migrated and keep on migrating. This paper describes my own looking for the presence of something that titillates and invites curious attention but always remains partially obscure
Through a lexicon of painted soft sculptures, salvaged furniture and objects referencing the hand-ma...
In this paper, Simon Smith describes the way in which the cityscapes of New York serve as a source o...
This thesis paper summarizes the contextual core of the artist’s graduating exhibition, as well as e...
Through painting I seek to claim the gutter-line experience of non-location, articulating feelings t...
Via an in-depth analysis of the artist’s works and the material, social, and historical possibilitie...
This paper explores Nicola Stephanie’s works in painted and shaped canvas, which investigate sensati...
My paintings engage with ideas of time, memory and displacement. Intricately painted works appear to...
In my thesis, I have chosen to present a collection of stories throughout my life that continue to i...
My paintings and me fight and wrestle. We leave room for the absurd and the comic. Sometimes we make...
I seek abstract forms evocative of the underlying structures in nature. I paint sensations of vibrat...
It is within the liminal space between traditional mediums that my creative practice deconstructs th...
The picture plane is a lived experience in which I aim to arrive at a precision of forms and colors ...
“Emotional Landscape” delivers a sense of gravity, openness, and breathing space through oil paintin...
I am a believer in our image culture and its capacity to be liberating, exploratory, and critical. I...
My thesis paper Get Me Out of Here discusses paintings I made and presented while preparing to finis...
Through a lexicon of painted soft sculptures, salvaged furniture and objects referencing the hand-ma...
In this paper, Simon Smith describes the way in which the cityscapes of New York serve as a source o...
This thesis paper summarizes the contextual core of the artist’s graduating exhibition, as well as e...
Through painting I seek to claim the gutter-line experience of non-location, articulating feelings t...
Via an in-depth analysis of the artist’s works and the material, social, and historical possibilitie...
This paper explores Nicola Stephanie’s works in painted and shaped canvas, which investigate sensati...
My paintings engage with ideas of time, memory and displacement. Intricately painted works appear to...
In my thesis, I have chosen to present a collection of stories throughout my life that continue to i...
My paintings and me fight and wrestle. We leave room for the absurd and the comic. Sometimes we make...
I seek abstract forms evocative of the underlying structures in nature. I paint sensations of vibrat...
It is within the liminal space between traditional mediums that my creative practice deconstructs th...
The picture plane is a lived experience in which I aim to arrive at a precision of forms and colors ...
“Emotional Landscape” delivers a sense of gravity, openness, and breathing space through oil paintin...
I am a believer in our image culture and its capacity to be liberating, exploratory, and critical. I...
My thesis paper Get Me Out of Here discusses paintings I made and presented while preparing to finis...
Through a lexicon of painted soft sculptures, salvaged furniture and objects referencing the hand-ma...
In this paper, Simon Smith describes the way in which the cityscapes of New York serve as a source o...
This thesis paper summarizes the contextual core of the artist’s graduating exhibition, as well as e...