Musical practices provide important insights into the interests, opinions, and beliefs of a study population. While demonstrating the role of music in historical analysis, this work also tells a narrative of the varied people and influences that shaped music and society in the Oklahoma Ozarks, from the arrival of the 'Old Settler' Cherokee in 1828 to present day folk roots rockers. The 1800s is the predominant focus of this study; however, forays are made into previous and following centuries to establish origins of musical practices and the legacies that continue today
This thesis explores how contemporary Appalachian women’s gendered experiences influence their choic...
This dissertation offers a rhetorical analysis of the formation of women’s memory, history, and comm...
This master’s thesis investigates traditional folk music in New England in an effort to recognize it...
Music history in North America begins long before Europeans came ashore; however, because classicall...
ABSTRACT Thorough examination of the existing research and the content of ballad and folk song colle...
Based mainly on fieldwork conducted in the Oklahoma City and Norman areas over a three-and-a-half ye...
The following pages contain a history of the musicians and music that have come out of Payne County,...
The following pages contain a history of the musicians and music that have come out of Payne County,...
The commodification of Appalachian music coincided with the commodification of the Appalachian natur...
At a moment when scholarship regarding traditional music in the U.S. South attempts to transcend out...
The Ouachita Mountain Region of Arkansas, neglected in much formal research, has a rich and active h...
This thesis uses qualitative research methods to elaborate on Ralph Blizard’s legacy in the old-time...
This thesis examines the history of the Folk Festival of the Smokies, which sought to preserve old-t...
This paper is an archival study of the displaced children of families formerly living in the Shenand...
This project combines performance studies and memory studies to the analysis of three of Lee Smith’s...
This thesis explores how contemporary Appalachian women’s gendered experiences influence their choic...
This dissertation offers a rhetorical analysis of the formation of women’s memory, history, and comm...
This master’s thesis investigates traditional folk music in New England in an effort to recognize it...
Music history in North America begins long before Europeans came ashore; however, because classicall...
ABSTRACT Thorough examination of the existing research and the content of ballad and folk song colle...
Based mainly on fieldwork conducted in the Oklahoma City and Norman areas over a three-and-a-half ye...
The following pages contain a history of the musicians and music that have come out of Payne County,...
The following pages contain a history of the musicians and music that have come out of Payne County,...
The commodification of Appalachian music coincided with the commodification of the Appalachian natur...
At a moment when scholarship regarding traditional music in the U.S. South attempts to transcend out...
The Ouachita Mountain Region of Arkansas, neglected in much formal research, has a rich and active h...
This thesis uses qualitative research methods to elaborate on Ralph Blizard’s legacy in the old-time...
This thesis examines the history of the Folk Festival of the Smokies, which sought to preserve old-t...
This paper is an archival study of the displaced children of families formerly living in the Shenand...
This project combines performance studies and memory studies to the analysis of three of Lee Smith’s...
This thesis explores how contemporary Appalachian women’s gendered experiences influence their choic...
This dissertation offers a rhetorical analysis of the formation of women’s memory, history, and comm...
This master’s thesis investigates traditional folk music in New England in an effort to recognize it...