This thesis details and analyzes the history of the Comics Code of 1954 and its impact on American comics as a whole. Included is the history of the anti-comics movement and an analysis of 20th century mass-culture debates. This thesis also argues that the underground comix movement was an unwitting successor to pre-code comics and was responsible for growth in the comics medium by working around the oppressive Code. The second argument is that the Code’s impact is still present in current comics, and issues of mass culture still hang over the medium’s head, resulting in stagnation and an ongoing dismissal of comics as legitimate art
abstract: Too often are American superhero comics dismissed as childish or simplistic. However, Amer...
Cartoons and comics have been a part of American culture since this nation’s formation. Throughout t...
This is a cultural history of American comic books. It explores how political, international, econom...
on of comic creators in the years it was active, this paper also examines the legitimization of comi...
This thesis explains the connection between comics and public reactions in two separate eras of cons...
Cultural legitimacy has eluded comics until recent times. By observing the history of comics in the ...
Thesis (Ph.D.)--University of Washington, 2016-06Tracing the emergence and popularity of comic art a...
Drawing on the theories of cultural studies, this study investigates the “Golden Age” of comic books...
Printing Terror places horror comics of the Cold War in dialogue with the historical trauma of World...
Comic books in America are produced and consumed in a particular environment. This environment has b...
Cartoons and comics have been a part of American culture since this nation’s formation. Throughout t...
Comic books in America are produced and consumed in a particular environment. This environment has b...
Cartoons and comics have been a part of American culture since this nation’s formation. Throughout t...
This thesis examines the precode horror comic books of the 1950\u27s as an original American art for...
This thesis chronicles the rise and fall of the EC (Entertaining Comics) group in the period 1950-19...
abstract: Too often are American superhero comics dismissed as childish or simplistic. However, Amer...
Cartoons and comics have been a part of American culture since this nation’s formation. Throughout t...
This is a cultural history of American comic books. It explores how political, international, econom...
on of comic creators in the years it was active, this paper also examines the legitimization of comi...
This thesis explains the connection between comics and public reactions in two separate eras of cons...
Cultural legitimacy has eluded comics until recent times. By observing the history of comics in the ...
Thesis (Ph.D.)--University of Washington, 2016-06Tracing the emergence and popularity of comic art a...
Drawing on the theories of cultural studies, this study investigates the “Golden Age” of comic books...
Printing Terror places horror comics of the Cold War in dialogue with the historical trauma of World...
Comic books in America are produced and consumed in a particular environment. This environment has b...
Cartoons and comics have been a part of American culture since this nation’s formation. Throughout t...
Comic books in America are produced and consumed in a particular environment. This environment has b...
Cartoons and comics have been a part of American culture since this nation’s formation. Throughout t...
This thesis examines the precode horror comic books of the 1950\u27s as an original American art for...
This thesis chronicles the rise and fall of the EC (Entertaining Comics) group in the period 1950-19...
abstract: Too often are American superhero comics dismissed as childish or simplistic. However, Amer...
Cartoons and comics have been a part of American culture since this nation’s formation. Throughout t...
This is a cultural history of American comic books. It explores how political, international, econom...