This paper is written in conjunction with a film on the subject of eating disorders that are perpetuated by images in the media of the ideal Parisian woman. This paper is split into three sections: theory, methodology, and reflection. Theoretical inspirations for this film were Laura Mulvey\u27s psychoanalysis theory and Luce Irigaray\u27s psychoanalytical-theories on femininity. Visual inspirations for this film were Barbara Hammer’s film A Horse is Not a Metaphor, Akosua Adoma Owusu\u27s film Me Broni Ba, and Vera Chytilová\u27s film Daisies. The second section discusses the process of creating the film. The third section discusses successes and challenges during this whole process of the capstone project
L’analyse cinématographique d’un roman Comme le titre l’indique, cet article explore comment l’acte ...
This thesis outlines my artistic practice from the trait of femininity and self-image. It discusses ...
The male gaze is a trend that has been observed in film for decades, and the oversaturation of inacc...
This paper is written in conjunction with a film on the subject of eating disorders that are perpetu...
1. The Paper: The first part of this paper is an analysis of how ideological images and forms are ma...
MA (Language Practice), North-West University, Vaal Triangle Campus, 2014In her article “Visual plea...
This project is about female corporeal agency, but it is also about identity, sexuality, desire and ...
My paper seeks to show that early cinema was profoundly indebted to the 19th-century debate on the n...
The paper is analysing the constructions of femininity, and the femininity of film form in the films...
This research explores representations of sexually deviant women in French film beginning with the N...
This thesis is a detailed study of the type la Parisienne in cinema. It seeks to expand on existing ...
Filmed intimacy, the female body in front of the camera. Male gaze and Female gaze in France, the pr...
Written for screen by one of the greatest English dramatists and Nobel Laureate, Harold Pinter and d...
This paper describes the making of It’s Me, Sarah, a University of New Orleans thesis film. It explo...
In film, a woman’s desire for success is often visually presented via an adherence to structured act...
L’analyse cinématographique d’un roman Comme le titre l’indique, cet article explore comment l’acte ...
This thesis outlines my artistic practice from the trait of femininity and self-image. It discusses ...
The male gaze is a trend that has been observed in film for decades, and the oversaturation of inacc...
This paper is written in conjunction with a film on the subject of eating disorders that are perpetu...
1. The Paper: The first part of this paper is an analysis of how ideological images and forms are ma...
MA (Language Practice), North-West University, Vaal Triangle Campus, 2014In her article “Visual plea...
This project is about female corporeal agency, but it is also about identity, sexuality, desire and ...
My paper seeks to show that early cinema was profoundly indebted to the 19th-century debate on the n...
The paper is analysing the constructions of femininity, and the femininity of film form in the films...
This research explores representations of sexually deviant women in French film beginning with the N...
This thesis is a detailed study of the type la Parisienne in cinema. It seeks to expand on existing ...
Filmed intimacy, the female body in front of the camera. Male gaze and Female gaze in France, the pr...
Written for screen by one of the greatest English dramatists and Nobel Laureate, Harold Pinter and d...
This paper describes the making of It’s Me, Sarah, a University of New Orleans thesis film. It explo...
In film, a woman’s desire for success is often visually presented via an adherence to structured act...
L’analyse cinématographique d’un roman Comme le titre l’indique, cet article explore comment l’acte ...
This thesis outlines my artistic practice from the trait of femininity and self-image. It discusses ...
The male gaze is a trend that has been observed in film for decades, and the oversaturation of inacc...