This study aims to examine and compare four objects of Chinese art that derive from two different dynasties; the Han dynasty and the Tang dynasty. The goal is to reach an understanding of what the art in China conveyed, and how Hellenistic and religious influences affected the Chinese art during the two dynasties. Thereafter a comparing will be made between the arts of the Han and the Tang periods, to deduce what the differences were between them. This study also aims to take part in the debate of whether the Chinese art really were adapting foreign styles and concepts or not. The issue this study aims to solve are divided between three questions: What did the four artworks convey during the dynasties of the Han and Tang? In what ways wer...
The article is dedicated to the research of the origins and peculiarity of classical Chinese histori...
[[abstract]]On the development path of Chinese painting, there are innovations and breakthroughs on ...
Chapter 1 reviews the background to the rise of art patronage studies and their development and its ...
This study aims to examine and compare four objects of Chinese art that derive from two different dy...
This PhD thesis focuses on additional decorative and iconographic motifs of Western origin that were...
This long paper is the comprehensive essay to the exhibition China at the court of the emperors. Unk...
Includes bibliographical references (pages 51-68)Painting has been the dominant form of Chinese art ...
The topic of this study is a realistic due to the fact that in Chinese history, the Tang Dynasty (6...
The artistic contact between China and the Islamic world was initiated as early as the eighth centur...
The pursuit of antiquity was important for scholarly artists in constructing their knowledge of hist...
none1noThe question of Buddhist art’s propagation through Central Asia to China has not generated su...
The purpose of this thesis is to examine the stylistic transformations of Chinese Chan painting to J...
The stylistic difference between North-of-Yangtze and South-of-Yangtze regions is an important probl...
Until the 20th century, Chinese figure painting and Western figure painting were considered to be tw...
Includes bibliographical references (pages 172-177)This study postulates that there was demonstrable...
The article is dedicated to the research of the origins and peculiarity of classical Chinese histori...
[[abstract]]On the development path of Chinese painting, there are innovations and breakthroughs on ...
Chapter 1 reviews the background to the rise of art patronage studies and their development and its ...
This study aims to examine and compare four objects of Chinese art that derive from two different dy...
This PhD thesis focuses on additional decorative and iconographic motifs of Western origin that were...
This long paper is the comprehensive essay to the exhibition China at the court of the emperors. Unk...
Includes bibliographical references (pages 51-68)Painting has been the dominant form of Chinese art ...
The topic of this study is a realistic due to the fact that in Chinese history, the Tang Dynasty (6...
The artistic contact between China and the Islamic world was initiated as early as the eighth centur...
The pursuit of antiquity was important for scholarly artists in constructing their knowledge of hist...
none1noThe question of Buddhist art’s propagation through Central Asia to China has not generated su...
The purpose of this thesis is to examine the stylistic transformations of Chinese Chan painting to J...
The stylistic difference between North-of-Yangtze and South-of-Yangtze regions is an important probl...
Until the 20th century, Chinese figure painting and Western figure painting were considered to be tw...
Includes bibliographical references (pages 172-177)This study postulates that there was demonstrable...
The article is dedicated to the research of the origins and peculiarity of classical Chinese histori...
[[abstract]]On the development path of Chinese painting, there are innovations and breakthroughs on ...
Chapter 1 reviews the background to the rise of art patronage studies and their development and its ...