The Exhibition was made in collaboration with German artist Maximilian Reitmeier. The purpose of the exhibition was to examine the relationship of the photograph to the painting. By subverting the scale, photographs were printed large and the paintings were postcard (A6) size, the hypothesis of the relationship of scale to the viewer’s experience was tested. The photographs and the paintings were made in tandem, subverting so the common conception and commenting on the historical relevance of these mediums
The culmination of a three year period of research, this exhibition focussed on a collection of late...
Collect/Project comprised of two exhibitions that examined the activity of collecting and celebrated...
Abstract: This peer-reviewed paper looks at the different photographic appearances of Gerhard Richte...
Four works were exhibited as part of the group exhibition DIE AUSSTELLUNG: Rest/less; That moment wh...
When Gerhard Richter paints using photographic references, he considers that photography provides hi...
Photographic work was exhibited in 'The Photographer’s Contract', Akademie der Kunst, Berlin, (12 No...
Photographic work from Billingham's series 'Rays a Laugh' was exhibited in 'The Photographer’s Contr...
Payne���s two works in this exhibition were created by deconstructing the structural dynamics of pai...
The present contribution is devoted to the question of the relation between historical and contempor...
The re-staging of seminal exhibitions is an emerging phenomenon, based on the re-enactment of histor...
6th Triennial of Photography, MK&G Hamburg When we share more than everThe show “When We Share More ...
The Murten Panorama (10x100m) was realised by the renowned German panorama painter Louis Braun ...
The history of painting is just a history of human’s exploring the methods of watching and recording...
Museums extend their visibility beyond the physical institutions by providing online collections. By...
This exhibition expands upon the history, approaches of experimental film and image making. Through ...
The culmination of a three year period of research, this exhibition focussed on a collection of late...
Collect/Project comprised of two exhibitions that examined the activity of collecting and celebrated...
Abstract: This peer-reviewed paper looks at the different photographic appearances of Gerhard Richte...
Four works were exhibited as part of the group exhibition DIE AUSSTELLUNG: Rest/less; That moment wh...
When Gerhard Richter paints using photographic references, he considers that photography provides hi...
Photographic work was exhibited in 'The Photographer’s Contract', Akademie der Kunst, Berlin, (12 No...
Photographic work from Billingham's series 'Rays a Laugh' was exhibited in 'The Photographer’s Contr...
Payne���s two works in this exhibition were created by deconstructing the structural dynamics of pai...
The present contribution is devoted to the question of the relation between historical and contempor...
The re-staging of seminal exhibitions is an emerging phenomenon, based on the re-enactment of histor...
6th Triennial of Photography, MK&G Hamburg When we share more than everThe show “When We Share More ...
The Murten Panorama (10x100m) was realised by the renowned German panorama painter Louis Braun ...
The history of painting is just a history of human’s exploring the methods of watching and recording...
Museums extend their visibility beyond the physical institutions by providing online collections. By...
This exhibition expands upon the history, approaches of experimental film and image making. Through ...
The culmination of a three year period of research, this exhibition focussed on a collection of late...
Collect/Project comprised of two exhibitions that examined the activity of collecting and celebrated...
Abstract: This peer-reviewed paper looks at the different photographic appearances of Gerhard Richte...