The term σκῆψις in tragedy is analyzed. It is mostly used in similar situations, involving deceit and exile, and it is often related to Orestes’ destiny. Some of the occurences in Sophocles and Euripides are surely derived from the first one in Aeschylus
In order to understand the full extent of the influence of the Orestia on Mourning Becomes Electra o...
Aeschylus remains wholly within the context of the ancient religion. He forms his dramatical works w...
Just as tragic heroes and heroines have been identified with different eras and cultures, the classi...
In this dissertation, I discuss the revolutionary ways in which the three great Attic tragedians Aes...
It is generally the case that tragedy thrives on this capacity to bring together the heroic and the ...
The Greek term “κάκη ” complicates various meanings and concepts—evil, deformity, disaster, trouble,...
This paper is part of a larger research project on the notion of μῆτις in Greek tragedy and seeks to...
Just as tragic heroes and heroines have been identified with different eras and cultures, the classi...
Fate is regarded as a central component in tragedy. The significant role of fate is recognized when,...
The object of this thesis is to describe the features of laments in Aeschylus, Sophocles and Euripid...
Sophocles bases his posthumous Oedipus at Colonus on the famous treatment of the transformation of t...
The trial scene in the Eumenides of Aeschylus has been interpreted as a notorious example of tragic ...
The prologue of Shakespeare’s Romeo and Juliet describes the driving force of the plot in how “from ...
Just as tragic heroes and heroines have been identified with different eras and cultures, the classi...
This thesis is a study of tychē (success, good or bad fortune, chance, unexpected circumstances) and...
In order to understand the full extent of the influence of the Orestia on Mourning Becomes Electra o...
Aeschylus remains wholly within the context of the ancient religion. He forms his dramatical works w...
Just as tragic heroes and heroines have been identified with different eras and cultures, the classi...
In this dissertation, I discuss the revolutionary ways in which the three great Attic tragedians Aes...
It is generally the case that tragedy thrives on this capacity to bring together the heroic and the ...
The Greek term “κάκη ” complicates various meanings and concepts—evil, deformity, disaster, trouble,...
This paper is part of a larger research project on the notion of μῆτις in Greek tragedy and seeks to...
Just as tragic heroes and heroines have been identified with different eras and cultures, the classi...
Fate is regarded as a central component in tragedy. The significant role of fate is recognized when,...
The object of this thesis is to describe the features of laments in Aeschylus, Sophocles and Euripid...
Sophocles bases his posthumous Oedipus at Colonus on the famous treatment of the transformation of t...
The trial scene in the Eumenides of Aeschylus has been interpreted as a notorious example of tragic ...
The prologue of Shakespeare’s Romeo and Juliet describes the driving force of the plot in how “from ...
Just as tragic heroes and heroines have been identified with different eras and cultures, the classi...
This thesis is a study of tychē (success, good or bad fortune, chance, unexpected circumstances) and...
In order to understand the full extent of the influence of the Orestia on Mourning Becomes Electra o...
Aeschylus remains wholly within the context of the ancient religion. He forms his dramatical works w...
Just as tragic heroes and heroines have been identified with different eras and cultures, the classi...
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