The article focuses on the analysis of the epigraphic programme of the Borghorst Cross, a cross reliquary from Germany (Westphalia) dating to the mid eleventh-century. Using the Borghorst Cross as a case study, this paper hopes to contribute to a better understanding of the interplays of inscriptions and relics, by exploring how writing, as both a textual and a visual device, interacted with the monumental context in which the relics were placed, contributed to its meanings and engaged medieval audiences
This paper considers Latin inscriptions found on the prominent gilded metal altars from Scandinavia ...
International audienceThe Interest among medievalists for the social and anthropological implication...
The seventh century in Anglo-Saxon England offers a particularly rich historical period in which to ...
International audienceThe medieval inscription is defined as a material writing with the aim of the ...
The objective of this study is to investigate the old Christian symbol of triumphal crosses, during ...
International audienceThe aim of the article is to analyze a type of exogenous documents that both c...
A contribution to medieval cross tombstones without inscriptions, which are in the churches in all E...
Session 203: Relics at the Interface between Textuality and Materiality, c. 400-c. 1200, II: Inscrib...
This article investigates two well-known South Germanic inscriptions, the iron sax from Steindorf an...
Crosses made in metal, paint, or stone stand at a singular intersection of past, present and future ...
According to the Gospel narratives, a sign of identification was posted on the cross above Christ’s ...
International audienceThis article aims to put the notion of “bimediality” in perspective with the v...
International audienceThis study will examine epigraphic writing and ask if in the visual, material ...
Session 203: Relics at the Interface between Textuality and Materiality, c. 400-c. 1200, II: Inscrib...
This thesis examines the sacred and secular figural iconography of Viking-age stone crosses produced...
This paper considers Latin inscriptions found on the prominent gilded metal altars from Scandinavia ...
International audienceThe Interest among medievalists for the social and anthropological implication...
The seventh century in Anglo-Saxon England offers a particularly rich historical period in which to ...
International audienceThe medieval inscription is defined as a material writing with the aim of the ...
The objective of this study is to investigate the old Christian symbol of triumphal crosses, during ...
International audienceThe aim of the article is to analyze a type of exogenous documents that both c...
A contribution to medieval cross tombstones without inscriptions, which are in the churches in all E...
Session 203: Relics at the Interface between Textuality and Materiality, c. 400-c. 1200, II: Inscrib...
This article investigates two well-known South Germanic inscriptions, the iron sax from Steindorf an...
Crosses made in metal, paint, or stone stand at a singular intersection of past, present and future ...
According to the Gospel narratives, a sign of identification was posted on the cross above Christ’s ...
International audienceThis article aims to put the notion of “bimediality” in perspective with the v...
International audienceThis study will examine epigraphic writing and ask if in the visual, material ...
Session 203: Relics at the Interface between Textuality and Materiality, c. 400-c. 1200, II: Inscrib...
This thesis examines the sacred and secular figural iconography of Viking-age stone crosses produced...
This paper considers Latin inscriptions found on the prominent gilded metal altars from Scandinavia ...
International audienceThe Interest among medievalists for the social and anthropological implication...
The seventh century in Anglo-Saxon England offers a particularly rich historical period in which to ...