The Death in Slovene full length feature films (1991-2018)

V slovenskem filmu se manifestacije smrti pojavljajo pogosto. V magistrski nalogi o smrti v igranem celovečernem filmu se je avtorica osredotočila na slovenske celovečerne filme med letoma 1991 in 2018. V raziskavo je zajela približno dve tretjini vseh posnetih igranih celovečernih filmov, med katerimi so vključeni tudi filmi neodvisne produkcije. Filme je pogledala in jih analizirala ter si zapisala, kje in na kakšen način se smrt v filmu pojavi, kar je v obliki podrobnega seznama dodala k prilogam. Glede na najpogostejše manifestacije smrti jih je razdelila na poglavja o samomorih, umorih in ubojih, naravnih smrtih, smrtih kot posledic nesreč, manifestacijah posmrtnega življenja, percepciji smrti v komedijah in še druga podpoglavja. V nalogi se ukvarja z načini prikaza smrti v povezavi s filmskimi izraznimi sredstvi, s scenarijem in družbenopolitično situacijo slovenskega filma in družbe v omenjenem obdobju. Pogostost smrti primerja s povprečjem državnih statistik, sprašuje pa se tudi o vzroku fascinacije nad prikazi smrti pri slovenskih filmskih ustvarjalcih.There are multiple manifestations of death in Slovene films. In this master’s thesis about Death in Slovene film from 1991 to 2018, the author focused on feature full-length films. She had analysed approximately two thirds of all recorded feature films, among which some independent films can be found. She had watched and analysed all of them and she had marked where and in what way deaths are implemented in the stories. One can read through the whole list of watched films in the annex to the thesis. She had grouped the manifestations of death in the most frequent forms, such as suicides, murders, deaths of natural causes, deaths of accidental causes, manifestations of after-life, perceptions of deaths in comedies and other subchapters. In the thesis author deals with the modes of depictions of death through film’s means of expression, the scripts and through social-political situation of Slovene film and society in the era of films in research. The frequency of deaths is also being compared to the average statistics of the country. Lastly, the author also questions the causes of fascinations about depictions of death among Slovene filmmakers