Análisis formal del concierto para contrabajo solista y orquesta OP. 3 en FA sostenido menor de Sergei Koussevitzky

Mediante la presente tesis se realizará un análisis de la forma y estilo del Concierto para Contrabajo y Orquesta en Fa Sostenido Menor, así como recalcar ciertos aspectos biográficos del autor que servirán de ayuda para entender mejor su obra. Desde el preciso momento que se comienza el estudio y montaje de una obra es de vital importancia realizar un análisis musical tanto desde el punto de vista estilístico como formal e interpretativo, ya que cada periodo de la música y cada compositor tienen sus propias particularidades; salen a la luz las siguientes interrogantes: ¿cuáles son las principales características en cuanto al estilo, forma e interpretación correspondiente al periodo en que fue escrito el Concierto para contrabajo de Sergei Koussevitzky? Compositores e intérpretes han aportado en el desarrollo de la técnica y estilo de interpretar sus obras. El citado concierto no es la excepción y merece estudiarlo a fondo ya que la información adquirida aquí, de seguro será de gran beneficio para el crecimiento musical. Además que son diversas las definiciones que se le pueden dar a la palabra “Análisis Musical”. Según el Diccionario de la Música, Harvard 2014, lo describe como el estudio de la estructura musical aplicado a las obras o a la interpretación.1 Por otro lado, el Diccionario de la Música, Larousse señala que el análisis consiste en estudiar una obra para definir la forma, la tonalidad, la estructura, el ritmo, la armonía, la orquestación, la temática, la melodía, las dinámicas,This thesis intends to carry out a deep and rigorous analysis of the form and style of the Sergei Koussevitzky´s Double bass and Orchestra Concerto in f sharp minor, as well as to emphasize certain biographical aspects of the author, which will help to the better understanding of his work. From the very moment that the study of a piece begins as well as its performing, it’s very important to work in a musical analysis, starting from the point of view of interpretation, and going through the style, and interpretation; since each period of music, and every composer have their own particularities, it should consider the following questions: What are the main characteristics in terms of style form and interpretation for the period in which the Koussevitzky double bass concerto was written? Composers and performers have contributed in the development of the technique and style of interpreting his works. This concert is not an exception and deserves it to be studied thoroughly, for sure the information here will be of great benefit to our musical growth. There are different definitions that can be given to the word "Musical analysis", according to the dictionary of music Harvard, describes it like the study of the musical structure applied to the musical pieces or the interpretation, on the other hand the dictionary of music Larousse mention that the analysis consists in studying a musical piece to define the form, tone, structure, rhythm, harmony, orchestration, the theme, melody, dynamics, etc. According to the book “Practical guide to the methodological application of musical analysis" they propose the musical analysis as a tool for music and even as a discipline of teaching in musical training. The musical analysis takes as a starting point the study of music itself, in other words, the same elements which constitute it lead us to a true understanding of the music going from the harmonic, phraseological, formal point of view to the historical point of view. In the magazine "Quodlibet" number 13 by Nicholas Cook, in his article what musical analysis tell us? Recommend us to ask what it makes an analysis good and another not, so we must be very effective getting data that be useful to understand more the essence of the musical construction beyond the obvious or the idealized from musical semiotics or any other field that you want to refer.Licenciado en Artes Musicales en area de ejecución instrumental contrabajoCuenc