In the third stasimon of Euripides’Electra (vv. 859-879) text (word and image) and metre (dactylo-epitrites) effectively interact to obtain a renewed form of the kallinikos ode, the song performed to celebrate the winner in the Olympic Games, before a formal ode could be prepared in his honor. This choral – exactly a lyric-epirrhematic dialogue with Electra – clearly shows the signs of Euripides’innovations, aimed to modify the traditional form and structure of the stasimon
The work presents a metrical analysis of the first stasimon of Euripides’ Trojan Women. The prevaili...
The paper discusses the interpretation of the first stasimon of Euripides'Hecuba, with special refer...
The celebration of sporting successes in Classical Sparta has often been denied, but a fragment belo...
In the third stasimon of Euripides’Electra (vv. 859-879) text (word and image) and metre (dactylo-ep...
The paper discusses the ekphrasis of Achilles' shield in the first stasimon of the Electra of Euripi...
This article is concerned with the first stasimon of Euripides' Hippolytos, which takes the form of ...
This contribution explores the function of the choral voice and the mechanisms of choreia in Euripid...
Chorus’ conduct in the third stasimon of Euripides’Ion is here analysed to show how religious elemen...
The aim of this paper is to analyse the cantica of Euripides’ Andromache paying attention to the diπ...
This article analyses the structure, metre and performance of the choral songs in Euripides'Medea. I...
Euripides’ narrative choral odes continue to puzzle the critics. The first stasimon of Euripides’ El...
Euripides’ narrative choral odes continue to puzzle the critics. The first stasimon of Euripides’ El...
The focus of this paper is on three different aspects of the first stasimon of Trojan Women. While t...
The article investigates the relationship between tragedy and the hymenaios, the lyrical wedding-son...
This work analyzes text and colometry of mss. Laurentianus plut. 32,2 (L) and Laurentianus conv. sop...
The work presents a metrical analysis of the first stasimon of Euripides’ Trojan Women. The prevaili...
The paper discusses the interpretation of the first stasimon of Euripides'Hecuba, with special refer...
The celebration of sporting successes in Classical Sparta has often been denied, but a fragment belo...
In the third stasimon of Euripides’Electra (vv. 859-879) text (word and image) and metre (dactylo-ep...
The paper discusses the ekphrasis of Achilles' shield in the first stasimon of the Electra of Euripi...
This article is concerned with the first stasimon of Euripides' Hippolytos, which takes the form of ...
This contribution explores the function of the choral voice and the mechanisms of choreia in Euripid...
Chorus’ conduct in the third stasimon of Euripides’Ion is here analysed to show how religious elemen...
The aim of this paper is to analyse the cantica of Euripides’ Andromache paying attention to the diπ...
This article analyses the structure, metre and performance of the choral songs in Euripides'Medea. I...
Euripides’ narrative choral odes continue to puzzle the critics. The first stasimon of Euripides’ El...
Euripides’ narrative choral odes continue to puzzle the critics. The first stasimon of Euripides’ El...
The focus of this paper is on three different aspects of the first stasimon of Trojan Women. While t...
The article investigates the relationship between tragedy and the hymenaios, the lyrical wedding-son...
This work analyzes text and colometry of mss. Laurentianus plut. 32,2 (L) and Laurentianus conv. sop...
The work presents a metrical analysis of the first stasimon of Euripides’ Trojan Women. The prevaili...
The paper discusses the interpretation of the first stasimon of Euripides'Hecuba, with special refer...
The celebration of sporting successes in Classical Sparta has often been denied, but a fragment belo...
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