This article examines the relationship between rock art landscapes and perception. It pays particular attention to vision and hearing, the two key senses for landscape awareness. Given the importance of scale in the study of rock art landscapes, a distinction is made between the adjacent landscape and the broader territorial scale. Several methodological improvements are suggested, including the importance of clipping viewsheds in GIS analysis and measuring directionality instead of orientation of the rock art shelters. In our case-study we explore the rock art landscape of the AlicanteMountains (northeastern Spain) during the Neolithic period (ca. 5600 to 2800 cal bc). A new interpretation of how the cognitive and symbolic behavior of comm...
This paper presents a preliminary approach to the characterisation of rock art landscapes based on t...
Many societies give special importance to places where echoes are generated, and often these places ...
In Northern Finland, by the rock painting of Värikallio (ca. 3000–500 BC), several echoes can be hea...
This article examines the relationship between rock art landscapes and perception. It pays particula...
Anthropological studies and ethnohistorical sources show that most hunter-gatherer and early agricu...
This article focuses on the relationship between acoustics and rock art in Levantine art in Mediterr...
Many pre-state societies around the world give special importance to places where distinctive acoust...
Many pre-state societies around the world give special importance to places where distinctive acous...
The last 2 decades have seen intensifying interest in rock art and the senses. This perspective st...
This article attempts to extend the study of rock-art beyond the visual to include the non-visual ex...
The main motivation behind this article is to encourage new ways of approaching landscapes (i.e. 'li...
This paper explores the potential of acoustics to interpret the prehistoric rock art of southern And...
Visibility is one of the most common features considered when analyzing site location; visual contro...
Prominent places were powerful places. The persistence and stability of prominent places typically d...
http://www.landscape-perception.com This website documents a collaborative programme of research ...
This paper presents a preliminary approach to the characterisation of rock art landscapes based on t...
Many societies give special importance to places where echoes are generated, and often these places ...
In Northern Finland, by the rock painting of Värikallio (ca. 3000–500 BC), several echoes can be hea...
This article examines the relationship between rock art landscapes and perception. It pays particula...
Anthropological studies and ethnohistorical sources show that most hunter-gatherer and early agricu...
This article focuses on the relationship between acoustics and rock art in Levantine art in Mediterr...
Many pre-state societies around the world give special importance to places where distinctive acoust...
Many pre-state societies around the world give special importance to places where distinctive acous...
The last 2 decades have seen intensifying interest in rock art and the senses. This perspective st...
This article attempts to extend the study of rock-art beyond the visual to include the non-visual ex...
The main motivation behind this article is to encourage new ways of approaching landscapes (i.e. 'li...
This paper explores the potential of acoustics to interpret the prehistoric rock art of southern And...
Visibility is one of the most common features considered when analyzing site location; visual contro...
Prominent places were powerful places. The persistence and stability of prominent places typically d...
http://www.landscape-perception.com This website documents a collaborative programme of research ...
This paper presents a preliminary approach to the characterisation of rock art landscapes based on t...
Many societies give special importance to places where echoes are generated, and often these places ...
In Northern Finland, by the rock painting of Värikallio (ca. 3000–500 BC), several echoes can be hea...