The subtitle of our meeting, 'From Stage to Print in Early Modern England, posits a movement in one direction, from performance to printed book. This seems reasonable since, whereas modern actors usually start with a printed text of some form, we are used to the idea that early modern actors started with manuscripts and that printing followed performance. In fact, the capacity of a printed play to originate fresh performances was something that the title-pages and the preliminary matter of the first play printings in the early sixteenth century made much of...
Signature F2r of The Coblers Prophesie (1594) by Robert Wilson brings the reader to an abrupt halt –...
The Arts: 3rd Place (The Ohio State University Edward F. Hayes Graduate Research Forum)Shakespeare's...
This article traces some of the trends and anomalies in early modern play-book character lists, from...
The subtitle of our meeting, 'From Stage to Print in Early Modern England, posits a movement in on...
Using the typographical arrangements of the dramatic page as a rich site of inquiry, this dissertati...
It is an axiom of historical linguistics, and indeed historical studies generally, that our present-...
The production of playtexts in early modern England falls between two categories of artistic provena...
In three influential essays of the 1980s, William B. Long challenged the standard New Bibliographica...
Early modern play-readers and play-goers were not a passive audiences: they borrowed and adapted fro...
The Imprints of Performance is motivated by a longstanding interest in the fundamental interpretive ...
Pericles, a popular play based on the old legend of Apollonius of Tyre and produced in London someti...
Bringing together leading scholars to examine crucial questions regarding the theory and practice of...
For an ethical relation to exist between two interlocutors, according to Emmanuel Levinas, the poten...
In early modern England, readers almost always encountered plays in copies that sold for around six ...
This collection of new essays explores the social, political, and economic pressures under which the...
Signature F2r of The Coblers Prophesie (1594) by Robert Wilson brings the reader to an abrupt halt –...
The Arts: 3rd Place (The Ohio State University Edward F. Hayes Graduate Research Forum)Shakespeare's...
This article traces some of the trends and anomalies in early modern play-book character lists, from...
The subtitle of our meeting, 'From Stage to Print in Early Modern England, posits a movement in on...
Using the typographical arrangements of the dramatic page as a rich site of inquiry, this dissertati...
It is an axiom of historical linguistics, and indeed historical studies generally, that our present-...
The production of playtexts in early modern England falls between two categories of artistic provena...
In three influential essays of the 1980s, William B. Long challenged the standard New Bibliographica...
Early modern play-readers and play-goers were not a passive audiences: they borrowed and adapted fro...
The Imprints of Performance is motivated by a longstanding interest in the fundamental interpretive ...
Pericles, a popular play based on the old legend of Apollonius of Tyre and produced in London someti...
Bringing together leading scholars to examine crucial questions regarding the theory and practice of...
For an ethical relation to exist between two interlocutors, according to Emmanuel Levinas, the poten...
In early modern England, readers almost always encountered plays in copies that sold for around six ...
This collection of new essays explores the social, political, and economic pressures under which the...
Signature F2r of The Coblers Prophesie (1594) by Robert Wilson brings the reader to an abrupt halt –...
The Arts: 3rd Place (The Ohio State University Edward F. Hayes Graduate Research Forum)Shakespeare's...
This article traces some of the trends and anomalies in early modern play-book character lists, from...