The aesthetics of material performance within design is typically only considered up to the point of sale, a false end state in which the ‘newness’ of the product is protected by the hermetic packaging in which it is sold. Beyond this, the ‘ageing’ of a material is thought of only in terms of utility or easily measured technical parameters such as durability or toughness, and rarely reflects upon, or accounts for, the users experiential relationship with the material. Here, we explore changes in tactile and visual perceptions when sample materials have been artificially aged through the application of a taxonomy of damage observed from real world products. This paper argues that to expand our current knowledge in material culture and to ass...
From the moment of purchase, pristine objects are subjected to an array of stimuli including wear, i...
In Western society there is an obsession, fuelled by pervasive advertising, with hiding the effects ...
The relationship we have with materials is built up over time and includes a complex array of variab...
The aesthetics of material performance within design is typically only considered up to the point of...
In Western society there is an obsession, fuelled by pervasive advertising, with hiding the effects ...
In Western society there is an obsession, fuelled by pervasive advertising, with hiding the effects ...
Like human beings, earthly materials age. They weather; their skins show wear and tear and the ravag...
During the use phase of products, a series of obsolescing factors contribute to why a product is dis...
During their lifecycle, objects shift from their initial state of perfection, in which they are conc...
From the moment of purchase, pristine objects are subjected to an array of stimuli including wear, i...
A sustainable material culture is perhaps more about making new relationships than making new things...
Longer use and responsible disposal of rapidly discarded consumer electronics would slow material th...
This paper presents the findings of a user study which explored tactile and aesthetic responses to n...
The use of materials derived from waste is one of the prominent ways to contribute to sustainable pr...
From the moment of purchase, pristine objects are subjected to an array of stimuli including wear, i...
In Western society there is an obsession, fuelled by pervasive advertising, with hiding the effects ...
The relationship we have with materials is built up over time and includes a complex array of variab...
The aesthetics of material performance within design is typically only considered up to the point of...
In Western society there is an obsession, fuelled by pervasive advertising, with hiding the effects ...
In Western society there is an obsession, fuelled by pervasive advertising, with hiding the effects ...
Like human beings, earthly materials age. They weather; their skins show wear and tear and the ravag...
During the use phase of products, a series of obsolescing factors contribute to why a product is dis...
During their lifecycle, objects shift from their initial state of perfection, in which they are conc...
From the moment of purchase, pristine objects are subjected to an array of stimuli including wear, i...
A sustainable material culture is perhaps more about making new relationships than making new things...
Longer use and responsible disposal of rapidly discarded consumer electronics would slow material th...
This paper presents the findings of a user study which explored tactile and aesthetic responses to n...
The use of materials derived from waste is one of the prominent ways to contribute to sustainable pr...
From the moment of purchase, pristine objects are subjected to an array of stimuli including wear, i...
In Western society there is an obsession, fuelled by pervasive advertising, with hiding the effects ...
The relationship we have with materials is built up over time and includes a complex array of variab...