Home/Land: Women, Citizenship, Photographies is an extensive compendium of texts and images, combining scholarly, creative and critical writing on photography with new work in photography. The contributions to the compendium range from academic essays on fine art and documentary photographies to photo-essays, community-based and pedagogical photographic projects, personal testimonies, creative writing, activist interventions and accounts of participatory action research using photography. Home/Land is global in its reach, exploring women’s lives in Britain and other European nations, the United States, Canada, the Middle East, South Africa, Asia and Australia. Bringing together texts and images produced by an international group of feminist...
Making Home(s) in Displacement critically rethinks the relationship between home and displacement fr...
Notions of comfort, safety and familiarity are all themes commonly associated with the idea of home,...
The thesis consists of six bodies of photographic visual works: the exhibitions Self Evident, Regard...
Home/Land: Women, Citizenship, Photographies is an extensive compendium of texts and images, combini...
Home/Land: Women, Citizenship, Photographies is an extensive compendium of texts and images, combini...
Home – No Home reflects through expanded photographic artworks and elucidate – through heuristic int...
Article by Tom Hunter titled 'Home' for the Annual Photographer’s Lecture 2013. Illustrated with 10 ...
The notion of returning to a lost home brings with it nostalgia, and ambivalence about ‘belonging’. ...
Home/Land: Women, Citizenship, Photographies is an extensive compendium of texts and images, combini...
The focus of the issue is on the concept of home in a transnational perspective. The articles includ...
The works in this research are a photographic portrait of 'home' and an exploration of imagined plac...
Drawing on participant-generated photo-elicitation in telephone interviews conducted with private te...
In a world where the notion of home is more traumatizing than it is comforting, artists are using th...
This research paper documents three bodies of work that comprise the studiocomponent of my Master of...
In 2015 I undertook 'Thrown-togetherness', a practice-based research project that explored visual an...
Making Home(s) in Displacement critically rethinks the relationship between home and displacement fr...
Notions of comfort, safety and familiarity are all themes commonly associated with the idea of home,...
The thesis consists of six bodies of photographic visual works: the exhibitions Self Evident, Regard...
Home/Land: Women, Citizenship, Photographies is an extensive compendium of texts and images, combini...
Home/Land: Women, Citizenship, Photographies is an extensive compendium of texts and images, combini...
Home – No Home reflects through expanded photographic artworks and elucidate – through heuristic int...
Article by Tom Hunter titled 'Home' for the Annual Photographer’s Lecture 2013. Illustrated with 10 ...
The notion of returning to a lost home brings with it nostalgia, and ambivalence about ‘belonging’. ...
Home/Land: Women, Citizenship, Photographies is an extensive compendium of texts and images, combini...
The focus of the issue is on the concept of home in a transnational perspective. The articles includ...
The works in this research are a photographic portrait of 'home' and an exploration of imagined plac...
Drawing on participant-generated photo-elicitation in telephone interviews conducted with private te...
In a world where the notion of home is more traumatizing than it is comforting, artists are using th...
This research paper documents three bodies of work that comprise the studiocomponent of my Master of...
In 2015 I undertook 'Thrown-togetherness', a practice-based research project that explored visual an...
Making Home(s) in Displacement critically rethinks the relationship between home and displacement fr...
Notions of comfort, safety and familiarity are all themes commonly associated with the idea of home,...
The thesis consists of six bodies of photographic visual works: the exhibitions Self Evident, Regard...