The aesthetics of material performance within design is typically only considered up to the point of sale, a false end state in which the ‘newness’ of the product is protected by the hermetic packaging in which it is sold. Beyond this, the ‘ageing’ of a material is thought of only in terms of utility or easily measured technical parameters such as durability or toughness, and rarely reflects upon, or accounts for, the user’s experiential relationship with the material. Here, we explore changes in tactile and visual perceptions when sample materials have been artificially aged through the application of a taxonomy of damage observed from real world products. This paper argues that to expand our current knowledge in material culture and to as...
This paper presents the findings of a user study which explored tactile and aesthetic responses to n...
The use of materials derived from waste is one of the prominent ways to contribute to sustainable pr...
The use of materials derived from waste is one of the prominent ways to contribute to sustainable pr...
The aesthetics of material performance within design is typically only considered up to the point of...
The aesthetics of material performance within design is typically only considered up to the point of...
In Western society there is an obsession, fuelled by pervasive advertising, with hiding the effects ...
In Western society there is an obsession, fuelled by pervasive advertising, with hiding the effects ...
During their lifecycle, objects shift from their initial state of perfection, in which they are con...
Like human beings, earthly materials age. They weather; their skins show wear and tear and the ravag...
Longer use and responsible disposal of rapidly discarded consumer electronics would slow material th...
From the moment of purchase, pristine objects are subjected to an array of stimuli including wear, i...
YesMaterials’ surfaces change over time due to chemical and physical processes. These processes can ...
In Western society there is an obsession, fuelled by pervasive advertising, with hiding the effects ...
This paper presents the findings of a user study which explored tactile and aesthetic responses to n...
The use of materials derived from waste is one of the prominent ways to contribute to sustainable pr...
The use of materials derived from waste is one of the prominent ways to contribute to sustainable pr...
The aesthetics of material performance within design is typically only considered up to the point of...
The aesthetics of material performance within design is typically only considered up to the point of...
In Western society there is an obsession, fuelled by pervasive advertising, with hiding the effects ...
In Western society there is an obsession, fuelled by pervasive advertising, with hiding the effects ...
During their lifecycle, objects shift from their initial state of perfection, in which they are con...
Like human beings, earthly materials age. They weather; their skins show wear and tear and the ravag...
Longer use and responsible disposal of rapidly discarded consumer electronics would slow material th...
From the moment of purchase, pristine objects are subjected to an array of stimuli including wear, i...
YesMaterials’ surfaces change over time due to chemical and physical processes. These processes can ...
In Western society there is an obsession, fuelled by pervasive advertising, with hiding the effects ...
This paper presents the findings of a user study which explored tactile and aesthetic responses to n...
The use of materials derived from waste is one of the prominent ways to contribute to sustainable pr...
The use of materials derived from waste is one of the prominent ways to contribute to sustainable pr...