Writers often report vivid experiences of hearing characters talking to them, talking back to them, and exhibiting independence and autonomy. However, systematic empirical studies of this phenomenon are almost non-existent, and as a result little is known about its cause, extent, or phenomenology. Here we present the results of a survey of professional writers (n = 181) run in collaboration with the Edinburgh International Book Festival. Participants provided detailed descriptions of their experiences of their characters in response to a phenomenological questionnaire, and also reported on imaginary companions, inner speech and hallucination-proneness. Qualitative analysis indicated that the phenomenology of the experience of agentive chara...
How can providing less textual information about a fictional character make his or her mind more tra...
People rapidly make first impressions of others, often based on very little information–minimal exp...
The present research introduces the concept of experience-taking—the imaginative process of sponta-n...
Readers often describe vivid experiences of voices and characters in a manner that has been likened ...
In this paper, we use concepts and insights from the literary linguistic study of story-world charac...
In this paper, we use concepts and insights from the literary linguistic study of story-world charac...
For Palmer (2004, 2010), and other proponents of a cognitive narratology, research into real-world m...
In folk theories of art reception, readers and cinema audiences are said to experience fictional wor...
My essay joins the contemporary cognitive-narratological debate on whether readers bring to bear on ...
Over the last decade, research in characterisation has proliferated in (cognitive) stylistics, with ...
(Statement of Responsibility) by Donovan Brown(Thesis) Thesis (B.A.) -- New College of Florida, 20...
Actors, undercover investigators, and readers of fiction sometimes report “losing themselves” in the...
When people read a story, they often form a highly detailed representation known as a situation mode...
Leon Festinger’s account of cognitive dissonance, published in 1957, has become one of the most succ...
The process of communication between author and reader is a critical issue in examining any text. Wh...
How can providing less textual information about a fictional character make his or her mind more tra...
People rapidly make first impressions of others, often based on very little information–minimal exp...
The present research introduces the concept of experience-taking—the imaginative process of sponta-n...
Readers often describe vivid experiences of voices and characters in a manner that has been likened ...
In this paper, we use concepts and insights from the literary linguistic study of story-world charac...
In this paper, we use concepts and insights from the literary linguistic study of story-world charac...
For Palmer (2004, 2010), and other proponents of a cognitive narratology, research into real-world m...
In folk theories of art reception, readers and cinema audiences are said to experience fictional wor...
My essay joins the contemporary cognitive-narratological debate on whether readers bring to bear on ...
Over the last decade, research in characterisation has proliferated in (cognitive) stylistics, with ...
(Statement of Responsibility) by Donovan Brown(Thesis) Thesis (B.A.) -- New College of Florida, 20...
Actors, undercover investigators, and readers of fiction sometimes report “losing themselves” in the...
When people read a story, they often form a highly detailed representation known as a situation mode...
Leon Festinger’s account of cognitive dissonance, published in 1957, has become one of the most succ...
The process of communication between author and reader is a critical issue in examining any text. Wh...
How can providing less textual information about a fictional character make his or her mind more tra...
People rapidly make first impressions of others, often based on very little information–minimal exp...
The present research introduces the concept of experience-taking—the imaginative process of sponta-n...