mythisnow and pasoliniandeuropetoday are not collages. They are multistabilities of ‘nows’ which share the common aspect of eternity. mythisnow is focused on manifestations of ancestral terror and shows its equivalences in the Ancient Greek myths, in Pasolini’s work, and in Greek riots.Joulia Strauss, ‘mythisnow — pasoliniandeuropetoday’, in The Scandal of Self-Contradiction: Pasolini’s Multistable Subjectivities, Geographies, Traditions, ed. by Luca Di Blasi, Manuele Gragnolati, and Christoph F. E. Holzhey, Cultural Inquiry, 6 (Vienna: Turia + Kant, 2012), pp. 303–05 <https://doi.org/10.37050/ci-06_17
This communication adopts as its object a textual analysis of the film Medea by Pier Paolo Pasolini,...
Pasolini was simultaneously a revolutionary Marxist and a man forever influenced by his religious ch...
Podeu consultar la versió en català a: http://hdl.handle.net/2445/123144 i la versió en castellà a:[...
Pier Paolo Pasolini’s own phrase ‘the scandal of self-contradiction’ (‘lo scandalo del contraddirmi’...
Before completing his uncharacteristically hopeful filmic vision of an African Oresteia, Pier Paolo ...
he subject of this chapter is Pier Paolo Pasolini’s film adaptation of one of the most shocking and...
La vision de la Grèce antique de Pasolini est une vision barbare parce que le cinéasterefuse toute i...
Ma thèse s'intitule “Le mythe de Médée. De Euripide à Pier Paolo Pasolini et Christa Wolf”. Il s'agi...
My paper will discuss Pasolini’s preference for the figure of contradiction and his opposition to He...
In his films (Œdipus-Rex, 1967 ; Medea, 1970), Pasolini manifests a hankering after a form of the sa...
In the following analysis, I wish to show how Alain Badiou’s work is crucial to understanding the ex...
As the film theorist Janet L. Borgerson claims, there is something awry in our historical memory of ...
My thesis is titled “The Myth of Medea. From Euripide to Pier Paolo Pasolini and Christa Wolf”. The ...
The present study examines how Pasolini’s film on Medea’s devouring passion fits in the poet-directo...
The article attempts to analyze Pasolini’s great trilogy, which includes the films “Decameron”, “Ca...
This communication adopts as its object a textual analysis of the film Medea by Pier Paolo Pasolini,...
Pasolini was simultaneously a revolutionary Marxist and a man forever influenced by his religious ch...
Podeu consultar la versió en català a: http://hdl.handle.net/2445/123144 i la versió en castellà a:[...
Pier Paolo Pasolini’s own phrase ‘the scandal of self-contradiction’ (‘lo scandalo del contraddirmi’...
Before completing his uncharacteristically hopeful filmic vision of an African Oresteia, Pier Paolo ...
he subject of this chapter is Pier Paolo Pasolini’s film adaptation of one of the most shocking and...
La vision de la Grèce antique de Pasolini est une vision barbare parce que le cinéasterefuse toute i...
Ma thèse s'intitule “Le mythe de Médée. De Euripide à Pier Paolo Pasolini et Christa Wolf”. Il s'agi...
My paper will discuss Pasolini’s preference for the figure of contradiction and his opposition to He...
In his films (Œdipus-Rex, 1967 ; Medea, 1970), Pasolini manifests a hankering after a form of the sa...
In the following analysis, I wish to show how Alain Badiou’s work is crucial to understanding the ex...
As the film theorist Janet L. Borgerson claims, there is something awry in our historical memory of ...
My thesis is titled “The Myth of Medea. From Euripide to Pier Paolo Pasolini and Christa Wolf”. The ...
The present study examines how Pasolini’s film on Medea’s devouring passion fits in the poet-directo...
The article attempts to analyze Pasolini’s great trilogy, which includes the films “Decameron”, “Ca...
This communication adopts as its object a textual analysis of the film Medea by Pier Paolo Pasolini,...
Pasolini was simultaneously a revolutionary Marxist and a man forever influenced by his religious ch...
Podeu consultar la versió en català a: http://hdl.handle.net/2445/123144 i la versió en castellà a:[...