Add to ORKGKant\u27s evaluation of music in the Critique of Judgement stands as a blemish on an otherwise appealing system of judgments of beauty and of assigning aesthetic worth. In order to resolve this tension, I will present an argument in three parts. First, I will delve further into Kantian judgments of beauty to provide solid contextual grounds for why he draws his conclusions about music and will further elaborate on his various positions concerning music. Second, I will look at a few potential answers for the problem of music given by others in the philosophy of music and briefly evaluate their effectiveness. Third, I will turn to my answers for the central hurdles preventing Kant from classifying music as a beautiful/fine art form: the probl...
The article follows Kant’s different views on aesthetics ranging from the pre-critical period to the...
This thesis assesses the role of disinterestedness in Kant's aesthetics, and how Kant analyses disin...
This article defends Kant’s aesthetics, drawn mainly from the Critique of Judgment. The author discu...
Kant\u27s evaluation of music in the Critique of Judgement stands as a blemish on an otherwise appea...
International audienceKant's "Critique of Judgement" on Music. It is well known that Kant, in his "C...
Judgment has two functions therefore: determining and reflecting. Determining involves finding the r...
“Kant’s Aesthetics and the Problem of Aesthetic Judgement in Music”. This paper reconstructs the pla...
A proposta deste trabalho é verificar o tratamento dado por Immanuel Kant na Crítica da Faculdade do...
The article argues that although all scholars within aesthetics basically know and recognize it, the...
While the greater part of criticism and reflection on Kant takes the question of aesthetics in the C...
I ask whether, and how far, it is possible legitimately to acquire the belief that a given item is b...
Musical formalism is often portrayed as the enemy of artistic freedom. Its main representative, Edua...
Kant limits aesthetics to judgment of taste. The faculty of judgment issues ugly and beautiful arbit...
Jeremy Begbie speaks of music as ‘theologically loaded’: as conveying a sense of intrinsic theologic...
Jeremy Begbie speaks of music as ‘theologically loaded’: as conveying a sense of intrinsic theologic...
The article follows Kant’s different views on aesthetics ranging from the pre-critical period to the...
This thesis assesses the role of disinterestedness in Kant's aesthetics, and how Kant analyses disin...
This article defends Kant’s aesthetics, drawn mainly from the Critique of Judgment. The author discu...
Kant\u27s evaluation of music in the Critique of Judgement stands as a blemish on an otherwise appea...
International audienceKant's "Critique of Judgement" on Music. It is well known that Kant, in his "C...
Judgment has two functions therefore: determining and reflecting. Determining involves finding the r...
“Kant’s Aesthetics and the Problem of Aesthetic Judgement in Music”. This paper reconstructs the pla...
A proposta deste trabalho é verificar o tratamento dado por Immanuel Kant na Crítica da Faculdade do...
The article argues that although all scholars within aesthetics basically know and recognize it, the...
While the greater part of criticism and reflection on Kant takes the question of aesthetics in the C...
I ask whether, and how far, it is possible legitimately to acquire the belief that a given item is b...
Musical formalism is often portrayed as the enemy of artistic freedom. Its main representative, Edua...
Kant limits aesthetics to judgment of taste. The faculty of judgment issues ugly and beautiful arbit...
Jeremy Begbie speaks of music as ‘theologically loaded’: as conveying a sense of intrinsic theologic...
Jeremy Begbie speaks of music as ‘theologically loaded’: as conveying a sense of intrinsic theologic...
The article follows Kant’s different views on aesthetics ranging from the pre-critical period to the...
This thesis assesses the role of disinterestedness in Kant's aesthetics, and how Kant analyses disin...
This article defends Kant’s aesthetics, drawn mainly from the Critique of Judgment. The author discu...