The present paper aims to contribute to the discussion about a) the complementary information in an edited text, namely sources, parallel or similar passages, or the later use of texts and text elements, b) the classification of this information and c) its distribution in apparatuses. Using the guidelines of the Association Guillaume Budé, the Union Académique Internationale and the Association Internationale des Études Byzantines, it raises the question of conformity among editors and points up the need for consistency, at least as regards terminology and the treatment of clear cases
Critical editions can be complex objects to digitise both in the output/publication process and in t...
The paper surveys the concept and practice of correction (διόρθωσις, emendatio) in classical and med...
Texts in multiple versions constitute the core problem of textual scholarship. For texts from antiqu...
A dogmatic anthology prepared for the refutation of “heretical” opponents presents idiosyncratic edi...
Introduction Texts from the ancient world reach us via a long, complicated process of transmission f...
Critical editions of classical text pose some unique problems that highlight the importance of the e...
Much has already been written about the precarious balance between the conflicting claims of the two...
Not much of the editorial process of creating digital scholarly editions is automated or assisted by...
An attempt to answer this question, along with an account of some other answers to the question. Or...
In the textual tradition of a literary work, our sources (manuscripts, printed books etc.) commonly ...
The concept of the historisch-kritische Gesamtausgabe series of the 1950s (the New Bach, Mozart, Hay...
Within „Defining Scholarly Editions“, I want to open a new section in our blog which offers the oppo...
The “usefulness” of a critical apparatus depends both on the editor's judgment of what to include or...
From parchment to critical edition. Any research based on a literary document is expected to rely o...
What are the consequences for data modelling when we think of critical edition not as a document, bu...
Critical editions can be complex objects to digitise both in the output/publication process and in t...
The paper surveys the concept and practice of correction (διόρθωσις, emendatio) in classical and med...
Texts in multiple versions constitute the core problem of textual scholarship. For texts from antiqu...
A dogmatic anthology prepared for the refutation of “heretical” opponents presents idiosyncratic edi...
Introduction Texts from the ancient world reach us via a long, complicated process of transmission f...
Critical editions of classical text pose some unique problems that highlight the importance of the e...
Much has already been written about the precarious balance between the conflicting claims of the two...
Not much of the editorial process of creating digital scholarly editions is automated or assisted by...
An attempt to answer this question, along with an account of some other answers to the question. Or...
In the textual tradition of a literary work, our sources (manuscripts, printed books etc.) commonly ...
The concept of the historisch-kritische Gesamtausgabe series of the 1950s (the New Bach, Mozart, Hay...
Within „Defining Scholarly Editions“, I want to open a new section in our blog which offers the oppo...
The “usefulness” of a critical apparatus depends both on the editor's judgment of what to include or...
From parchment to critical edition. Any research based on a literary document is expected to rely o...
What are the consequences for data modelling when we think of critical edition not as a document, bu...
Critical editions can be complex objects to digitise both in the output/publication process and in t...
The paper surveys the concept and practice of correction (διόρθωσις, emendatio) in classical and med...
Texts in multiple versions constitute the core problem of textual scholarship. For texts from antiqu...