This paper investigates the integration between institutional complexity and performance management in the field of performing arts. Prior research has documented tension related to how performance measures and management tools are used in arts organizations, and the conflict is often explained as being a result of the intrusion of business‐like accounting tools into the exercise of the arts. Drawing on the concept of institutional logics, the findings of the current study suggest that a diversity of logics is salient in this organizational field. The performance measurement system is confronted with multiple logics, and the study shows how the role of performance management is shaped by this institutional complexity
none3Building on an in-depth understanding of the constituting elements of intellectual capital in c...
Since the 90s the Italian performing arts sector has been characterized by juridical, social and eco...
International audienceHow can we study the performativity of the aesthetic experiences brought about...
Due to the policies introduced by many European governments since the rise of New Public Management ...
In recent years, cultural organisations have introduced and tested new management tools to achieve t...
In recent years, cultural organisations have introduced and tested new management tools to achieve t...
Management of arts and cultural organizations has recently gained importance especially in those cou...
In the last years, many cultural organisations have introduced and tested new management tools to ac...
International audienceThis paper aims to account for the heterogeneous uses of the budget within dif...
In this article, I present a review of financial and management accounting literature on the arts an...
The extension of the managerial logic to music organizations often generates deep conflicts and lack...
Current research argues that competing institutional logistics1 can co-exist enduringly and investig...
Summary of the thesis Over recent decades the arts sector has faced an increased focus on economic ...
The purpose of this thesis is to contribute to the discussion of and the argument for performing art...
In this paper Luigi Maria Sicca suggests on the one hand that organization theory offers an interpre...
none3Building on an in-depth understanding of the constituting elements of intellectual capital in c...
Since the 90s the Italian performing arts sector has been characterized by juridical, social and eco...
International audienceHow can we study the performativity of the aesthetic experiences brought about...
Due to the policies introduced by many European governments since the rise of New Public Management ...
In recent years, cultural organisations have introduced and tested new management tools to achieve t...
In recent years, cultural organisations have introduced and tested new management tools to achieve t...
Management of arts and cultural organizations has recently gained importance especially in those cou...
In the last years, many cultural organisations have introduced and tested new management tools to ac...
International audienceThis paper aims to account for the heterogeneous uses of the budget within dif...
In this article, I present a review of financial and management accounting literature on the arts an...
The extension of the managerial logic to music organizations often generates deep conflicts and lack...
Current research argues that competing institutional logistics1 can co-exist enduringly and investig...
Summary of the thesis Over recent decades the arts sector has faced an increased focus on economic ...
The purpose of this thesis is to contribute to the discussion of and the argument for performing art...
In this paper Luigi Maria Sicca suggests on the one hand that organization theory offers an interpre...
none3Building on an in-depth understanding of the constituting elements of intellectual capital in c...
Since the 90s the Italian performing arts sector has been characterized by juridical, social and eco...
International audienceHow can we study the performativity of the aesthetic experiences brought about...