In the year 2005 a harpsichord entirely made in marble appeared on the market in Rome and was purchased by the Fondazione Cassa di Risparmio di Modena, to be permanently lent and displayed at the Galleria Estense. This article is a study of the marble harpsichord, in the context of other marble instruments, aimed at assessing its original state, through the individuation of the many modifications it underwent during its history, in an attempt to define whether it was originally conceived as a sounding object, or as a mute aesthetic reproduction
Checklists of (1) surviving Italian harpsichords and virginals with split black keys; (2) similar in...
Includes recorded audio files in WAV and MP3 format, 63:03 in length.The harpsichord and its literat...
The article summarizes the state of research on early Italian scores up to 1615, developing the hypo...
Located in the city centre of Bologna, the Museo of San Colombano is an important collection of keyb...
Throughout the seventeenth and eighteenth centuries, Flemish harpsichords by the Ruckers and Couchet...
The subject of the article is Scene 6 from Act III of Luigi Rossi’s musical drama Il Palazzo incanta...
One of the most fascinating keyboard instruments which precedes the pianoforte is the harpsichord. ...
Thesis (M.A.)--Boston University. There is no page 48. Relevant musical notes inserted after each pa...
Bartolomeo Cristofori's production of a cembalo with a viable hammer action, first documented in 170...
Alessandro Grandi (1586-1630) is a relatively unknown, yet significant figure in the development of ...
The Heritage concerning ancient musical instrument is very reduce. Even less if we consider public c...
Already in the early years of the development of keyboard-instruments, sources can be found of the c...
The Heritage concerning ancient musical instrument is very reduce. Even less if we consider public c...
Filippo Bonanni’s Gabinetto armonico (1722) was in its time the most extensive collection of musical...
The Italian handicraft tradition in the construction of bowed string instruments is a very importan...
Checklists of (1) surviving Italian harpsichords and virginals with split black keys; (2) similar in...
Includes recorded audio files in WAV and MP3 format, 63:03 in length.The harpsichord and its literat...
The article summarizes the state of research on early Italian scores up to 1615, developing the hypo...
Located in the city centre of Bologna, the Museo of San Colombano is an important collection of keyb...
Throughout the seventeenth and eighteenth centuries, Flemish harpsichords by the Ruckers and Couchet...
The subject of the article is Scene 6 from Act III of Luigi Rossi’s musical drama Il Palazzo incanta...
One of the most fascinating keyboard instruments which precedes the pianoforte is the harpsichord. ...
Thesis (M.A.)--Boston University. There is no page 48. Relevant musical notes inserted after each pa...
Bartolomeo Cristofori's production of a cembalo with a viable hammer action, first documented in 170...
Alessandro Grandi (1586-1630) is a relatively unknown, yet significant figure in the development of ...
The Heritage concerning ancient musical instrument is very reduce. Even less if we consider public c...
Already in the early years of the development of keyboard-instruments, sources can be found of the c...
The Heritage concerning ancient musical instrument is very reduce. Even less if we consider public c...
Filippo Bonanni’s Gabinetto armonico (1722) was in its time the most extensive collection of musical...
The Italian handicraft tradition in the construction of bowed string instruments is a very importan...
Checklists of (1) surviving Italian harpsichords and virginals with split black keys; (2) similar in...
Includes recorded audio files in WAV and MP3 format, 63:03 in length.The harpsichord and its literat...
The article summarizes the state of research on early Italian scores up to 1615, developing the hypo...