This exhibition provides new insights into an overlooked form of photography, revealing rich and exciting seams of imagery and offering new perspectives on representation of coastal culture and leisure. Here we gain a glimpse of commercial photographic practice from approx.1850-1900, with a visual exposition of the British seaside as represented through the refracted lens of the beach photographer. The images shown are all unique tintypes and ambrotypes, making visible for the first time an online exhibition exploring the prototype holiday snap
For two years British photographer Anna Fox documented holiday culture at the iconic Butlin's resort...
Based on the theme of Victorian women at the seaside, the exhibitions narrate the visit of a young w...
The sequence comprised large-scale photographs of constructed dioramas tracing a fictional location ...
For the latter part of the 19th and much of the 20th Century, commercial photographic companies repr...
This chapter concentrates on a contemporaneous form of mid nineteenth-century photography, that of t...
Since the beginnings of the medium, photographers have been fascinated by the shoreline and seaside ...
Before package holidays and jetting off on an aeroplane became the typical family holiday, British f...
How has the seaside been photographed? From the roaring waves of the nineteenth century through the ...
The research upon which this illustrated paper is based seeks to provide insights into a somewhat ov...
HAYLING ISLAND SERIES, made 1985, featured in the major exhibition 'Seaside: photographed' at Turner...
This book explores how popular photography influenced the development of British travel marketing in...
This public talk as part of the Margate PhotoFest (2015) placed into context the significant cultur...
All these paintings focus on beaches, that is, flattish areas of sand or pebbles adjacent to the sea...
In this research Giles utilises photography to highlight the cultural importance and significance of...
The natural beach environment - the hot sand and glistening surf - or at the very least lapping wave...
For two years British photographer Anna Fox documented holiday culture at the iconic Butlin's resort...
Based on the theme of Victorian women at the seaside, the exhibitions narrate the visit of a young w...
The sequence comprised large-scale photographs of constructed dioramas tracing a fictional location ...
For the latter part of the 19th and much of the 20th Century, commercial photographic companies repr...
This chapter concentrates on a contemporaneous form of mid nineteenth-century photography, that of t...
Since the beginnings of the medium, photographers have been fascinated by the shoreline and seaside ...
Before package holidays and jetting off on an aeroplane became the typical family holiday, British f...
How has the seaside been photographed? From the roaring waves of the nineteenth century through the ...
The research upon which this illustrated paper is based seeks to provide insights into a somewhat ov...
HAYLING ISLAND SERIES, made 1985, featured in the major exhibition 'Seaside: photographed' at Turner...
This book explores how popular photography influenced the development of British travel marketing in...
This public talk as part of the Margate PhotoFest (2015) placed into context the significant cultur...
All these paintings focus on beaches, that is, flattish areas of sand or pebbles adjacent to the sea...
In this research Giles utilises photography to highlight the cultural importance and significance of...
The natural beach environment - the hot sand and glistening surf - or at the very least lapping wave...
For two years British photographer Anna Fox documented holiday culture at the iconic Butlin's resort...
Based on the theme of Victorian women at the seaside, the exhibitions narrate the visit of a young w...
The sequence comprised large-scale photographs of constructed dioramas tracing a fictional location ...