Add to ORKGAn exploration of the challenges and paradoxes of performing Renaissance sacred polyphony meaningfully in the 21st century, focusing on the transformed meaning of text, sound, stance and even clothing
Although considerable attention has been paid to the texting practices of specific composers and cer...
During past investigations into early seventeenth-century sacred music practices, scholars have ofte...
The gradual unfolding of religious reform movements in Tudor England has generated considerable scho...
This article examines William Shakespeare's plays for their relationship to Reformation music. It sk...
RILM abstract: Information about performance practice on large-scale feast-day celebrations is deri...
Ever since Hugh Baillie and Philippe Oboussier's pioneering study of York, Borthwick Institute MS Mu...
This article disputes some basic questions concerning the coordination of seventeenth century sacred...
This study examines sets of original English performing material for concerted music – for instrumen...
This article explores evidence for polyphonic music in Italian convents during the first half of the...
My dissertation project examines the relation between sound and space of twelfth-century polyphony i...
My dissertation project examines the relation between sound and space of twelfth-century polyphony i...
Today’s performances of medieval polyphony have a lot in common with those of other ‘classical’ or...
was an attempt to create a recorded historical anthology in the 1950s. From the 1930s, similar proje...
How did Renaissance listeners experience the polyphonic mass ordinary cycle in the soundscape of the...
Codified at Salisbury Cathedral in southern England during the twelfth and thirteenth centuries, the...
Although considerable attention has been paid to the texting practices of specific composers and cer...
During past investigations into early seventeenth-century sacred music practices, scholars have ofte...
The gradual unfolding of religious reform movements in Tudor England has generated considerable scho...
This article examines William Shakespeare's plays for their relationship to Reformation music. It sk...
RILM abstract: Information about performance practice on large-scale feast-day celebrations is deri...
Ever since Hugh Baillie and Philippe Oboussier's pioneering study of York, Borthwick Institute MS Mu...
This article disputes some basic questions concerning the coordination of seventeenth century sacred...
This study examines sets of original English performing material for concerted music – for instrumen...
This article explores evidence for polyphonic music in Italian convents during the first half of the...
My dissertation project examines the relation between sound and space of twelfth-century polyphony i...
My dissertation project examines the relation between sound and space of twelfth-century polyphony i...
Today’s performances of medieval polyphony have a lot in common with those of other ‘classical’ or...
was an attempt to create a recorded historical anthology in the 1950s. From the 1930s, similar proje...
How did Renaissance listeners experience the polyphonic mass ordinary cycle in the soundscape of the...
Codified at Salisbury Cathedral in southern England during the twelfth and thirteenth centuries, the...
Although considerable attention has been paid to the texting practices of specific composers and cer...
During past investigations into early seventeenth-century sacred music practices, scholars have ofte...
The gradual unfolding of religious reform movements in Tudor England has generated considerable scho...