This article examines the significance and social context of early Anglo-Saxon figurines. Dating to the seventh century AD, these objects are three-dimensional metallic sculptures of the human form, between 30 and 50mm in length, and only 12 are known to exist. The figurative portrayal of the human form is exceptional; the majority of designs in this timeframe incorporating the human form are represented in two dimensions. The figurines are therefore a marked development in the manufacture and deployment of anthropomorphic representational art that demands an explanation. The figurines are considered here in terms of their three-dimensionality, structural function and the gestures they represent. It is suggested that the figurines are cruci...
The focus of this paper is on Neolithic figurines and the type of plurality found in four statuettes...
Metalwork has completely dominated our view of Iron Age decoration/art. This study, therefore, aim...
In Anglo-Saxon and Viking literature swords form part of a hero’s identity. In addition to being wea...
Traditional scholarly narratives have characterised the ‘Anglo-Saxon’ peoples as culturally disinter...
Fully illustrated, Prehistoric Figurines brings a radical new approach to one of the most exciting, ...
Clay heads and faces from the Early Iron Age The Early Iron Age is one of the prehistoric periods wh...
This thesis explores bodily representations in Late Iron Age Scandinavia (400–1050 AD). Non-human bo...
This thesis explores bodily representations in Late Iron Age Scandinavia (400–1050 AD). Non-human bo...
Figurines with a human shape have been created in almost every culture all throughout human history....
This thesis gives some much-needed attention to the art of Rome’s most North-Westerly province, the ...
In the last two decades, the body has emerged as a rich field of theorization and scholarly explorat...
In the past two decades human representational art in migration-period Scandinavia and early Anglo-S...
The current article examines the role anthropomorphic representations in the Iron Age Mediterranean....
In the figurative art of Late Bronze Age Knossos one recognises a singular form to the human body wh...
The aim of this paper is to shed light on chronology, spatial distribution, iconography and social a...
The focus of this paper is on Neolithic figurines and the type of plurality found in four statuettes...
Metalwork has completely dominated our view of Iron Age decoration/art. This study, therefore, aim...
In Anglo-Saxon and Viking literature swords form part of a hero’s identity. In addition to being wea...
Traditional scholarly narratives have characterised the ‘Anglo-Saxon’ peoples as culturally disinter...
Fully illustrated, Prehistoric Figurines brings a radical new approach to one of the most exciting, ...
Clay heads and faces from the Early Iron Age The Early Iron Age is one of the prehistoric periods wh...
This thesis explores bodily representations in Late Iron Age Scandinavia (400–1050 AD). Non-human bo...
This thesis explores bodily representations in Late Iron Age Scandinavia (400–1050 AD). Non-human bo...
Figurines with a human shape have been created in almost every culture all throughout human history....
This thesis gives some much-needed attention to the art of Rome’s most North-Westerly province, the ...
In the last two decades, the body has emerged as a rich field of theorization and scholarly explorat...
In the past two decades human representational art in migration-period Scandinavia and early Anglo-S...
The current article examines the role anthropomorphic representations in the Iron Age Mediterranean....
In the figurative art of Late Bronze Age Knossos one recognises a singular form to the human body wh...
The aim of this paper is to shed light on chronology, spatial distribution, iconography and social a...
The focus of this paper is on Neolithic figurines and the type of plurality found in four statuettes...
Metalwork has completely dominated our view of Iron Age decoration/art. This study, therefore, aim...
In Anglo-Saxon and Viking literature swords form part of a hero’s identity. In addition to being wea...