Add to ORKGfter close to a decade of using twitter as an academic, Mark Carrigan reflects on why he has decided to leave the platform. Highlighting, the benefits of twitter, but also the increasingly institutionalised nature of academic social media and the way in which social media work has become a required, but unrecognised feature of academic labour, he suggests that twitter has become yet another contributing factor to the #exhaustionrebellion
Web annotation has been a pipe dream almost since the birth of the Internet itself. Commenting in th...
This essay co-authored with Mark Hope, co-founder of the Barn, Banchory, forms a chapter in the book...
In discussing the work of Wassily Kandinsky of some hundred years ago, Will Grohmann, an art histori...
As Twitter moves to become a private company owned by the billionaire Elon Musk, Mark Carrigan, refl...
Emerging approaches in social sciences and new media studies involve inquiry into social issues via ...
Many developments in national histories also mark watersheds in the personal lives of their citizens...
Drawing on their experience in producing a new open access textbook/handbook of UK politics, Patrick...
Jonathan White explains why analogies associated with public health tend to be used in areas unrelat...
Dispirited by the polarisation and hatred sown by social media, a group of journalists created a new...
In Dallas Smythe’s old stomping grounds of Simon Fraser University, Dr. Oscar Gandy delivered the ...
Martin Wight’s fragmentary comments entitled ‘The Disunity of Mankind’ are by no means a major work,...
Twitter can be written off as a distinctly unserious medium, a place for fads, bullying and the late...
This article considers the mediating role of digital photography for eliciting embodied and dialogic...
For what reasons do academics follow one another on Twitter? Robert Jäschke, Stephanie B. Linek and ...
As the value of research with impact increases, so too does the importance of first gaining access t...
Web annotation has been a pipe dream almost since the birth of the Internet itself. Commenting in th...
This essay co-authored with Mark Hope, co-founder of the Barn, Banchory, forms a chapter in the book...
In discussing the work of Wassily Kandinsky of some hundred years ago, Will Grohmann, an art histori...
As Twitter moves to become a private company owned by the billionaire Elon Musk, Mark Carrigan, refl...
Emerging approaches in social sciences and new media studies involve inquiry into social issues via ...
Many developments in national histories also mark watersheds in the personal lives of their citizens...
Drawing on their experience in producing a new open access textbook/handbook of UK politics, Patrick...
Jonathan White explains why analogies associated with public health tend to be used in areas unrelat...
Dispirited by the polarisation and hatred sown by social media, a group of journalists created a new...
In Dallas Smythe’s old stomping grounds of Simon Fraser University, Dr. Oscar Gandy delivered the ...
Martin Wight’s fragmentary comments entitled ‘The Disunity of Mankind’ are by no means a major work,...
Twitter can be written off as a distinctly unserious medium, a place for fads, bullying and the late...
This article considers the mediating role of digital photography for eliciting embodied and dialogic...
For what reasons do academics follow one another on Twitter? Robert Jäschke, Stephanie B. Linek and ...
As the value of research with impact increases, so too does the importance of first gaining access t...
Web annotation has been a pipe dream almost since the birth of the Internet itself. Commenting in th...
This essay co-authored with Mark Hope, co-founder of the Barn, Banchory, forms a chapter in the book...
In discussing the work of Wassily Kandinsky of some hundred years ago, Will Grohmann, an art histori...