This is a study on Christopher Marlowe’s Edward II (1591 or 1592) and Sir Thomas More ( a play ascribed to Antony Munday, Henty Chettle, Thomas Heywood and William Shakespeare, 1600 or 16010). This study proposes to analyse these plays as both chronicle drama and ,tragedies. Earlier literary research tended to see these plays as mainly propaganda and didactic histories. Of course, this leaves out the aura of tragedy, which permeates these plays. In intending to attend to the plays‘ tragic elements, this study offers a balanced analysis of these plays. The choice of Edward II as an early play and Sir Thomas More as a late one is deliberate because it reveals that the concerns of the English chronicle play are the sam
This paper is an attempt to analyse the structure of Shakespeare\u27s History Richard II and to cons...
Taking into consideration Hayden White’s seminal argument about historical emplotment, and relating ...
English drama spearheaded by William Shakespeare, is dominated by the Post-Classical Renaissance. Pr...
The play of Edward II composed by British dramatist Christopher Marlowe is characterized by the depi...
This thesis is divided into four main sections as outlined in the following paragraphs. After a bri...
This paper is one attempt to analyse the structure of Shakespeare\u27s History Richard III and to co...
In this paper, I shall be trying to investigate the nature of the English Renaissance drama through ...
The pattern of tragedy involves the tragic downfall of a certain tragic hero. This extended essay at...
This article is about the tragedies of William Shakespeare, a representative of English literature, ...
William Shakespeare is one of the prominent and leading authors who have been beyond the times and i...
This article is about the tragedies of William Shakespeare, a representative of English literature, ...
Taking into consideration Hayden White’s seminal argument about historical emplotment, and relating ...
Although V. Shakespeare did not devote any of his plays to Sir Th. More, he, undoubtedly, was inter...
This study focused on the error of judgment of the characters in selected Shakespeare’s major plays:...
grantor: University of TorontoThis dissertation examines how five twentieth-century produc...
This paper is an attempt to analyse the structure of Shakespeare\u27s History Richard II and to cons...
Taking into consideration Hayden White’s seminal argument about historical emplotment, and relating ...
English drama spearheaded by William Shakespeare, is dominated by the Post-Classical Renaissance. Pr...
The play of Edward II composed by British dramatist Christopher Marlowe is characterized by the depi...
This thesis is divided into four main sections as outlined in the following paragraphs. After a bri...
This paper is one attempt to analyse the structure of Shakespeare\u27s History Richard III and to co...
In this paper, I shall be trying to investigate the nature of the English Renaissance drama through ...
The pattern of tragedy involves the tragic downfall of a certain tragic hero. This extended essay at...
This article is about the tragedies of William Shakespeare, a representative of English literature, ...
William Shakespeare is one of the prominent and leading authors who have been beyond the times and i...
This article is about the tragedies of William Shakespeare, a representative of English literature, ...
Taking into consideration Hayden White’s seminal argument about historical emplotment, and relating ...
Although V. Shakespeare did not devote any of his plays to Sir Th. More, he, undoubtedly, was inter...
This study focused on the error of judgment of the characters in selected Shakespeare’s major plays:...
grantor: University of TorontoThis dissertation examines how five twentieth-century produc...
This paper is an attempt to analyse the structure of Shakespeare\u27s History Richard II and to cons...
Taking into consideration Hayden White’s seminal argument about historical emplotment, and relating ...
English drama spearheaded by William Shakespeare, is dominated by the Post-Classical Renaissance. Pr...