In the article the author deals with the question whether we can today, in the age of postmodernism still relevantly speak of avant-garde art. In author's opinion such art retains today only some of its previous importance. Also, the politicised avant- garde art, typical for some of the historic artistic avant- gardes and the neoavant-gardes has disappeared. The origins of the aims of avant-garde art can be traced to Romanticism, with the present »weak« artistic avant-gardes being devoid of many of the previous key features, the essential of which were linked to the eschatological nature of the often concurrent political avant-gardes. This situation has consequences also for aesthetics.Avtor se sprašuje, če lahko v postmodernizmu še relevan...
The essay presents an analysis of the tactics of forming a literary canon in Yugoslavia and Croatia ...
The aim of the article is to answer two principal questions: can we still speak of the essence of ar...
In L'oeuvre de l'art. La relation esthétique (1997) Gérard Genette notes that, »the apparently incon...
The article examines the role of the avant-gardes in the philosophy of Alain Badiou. In Badiou’s boo...
The author discusses the difference between postmodernism and modernism, taking as example mostly ar...
The avant-garde has served as an agent of change in the arts and correspondingly in aesthetics throu...
In this paper I attempt to decipher some representative discourses concerning the »failure of the av...
In the article, the author discusses the so-called aesthetic (or heteronomous artistic) avant-gardes...
The author analyzes the concept of the sublime as it has been used by Lyotard who bases it in Kant a...
Providing a factual analysis of different aspects of The Glossary of the Russian Avant-garde, the es...
This paper would like to argue that the two questions in its title are really one and the same and, ...
The author explores the relationship between art and politics from a historical perspective. His sta...
Knjiga Estetske revolucije in avantgardna gibanja dvajsetega stoletja je nastala pod uredniškim vods...
The widespread suspicion of the domination of vision in modern culture expressed by many French inte...
Der Beitrag befaßt sich mit zwei paradigmatischen gegensätzlichen Diskursen über Postmoderne und Mod...
The essay presents an analysis of the tactics of forming a literary canon in Yugoslavia and Croatia ...
The aim of the article is to answer two principal questions: can we still speak of the essence of ar...
In L'oeuvre de l'art. La relation esthétique (1997) Gérard Genette notes that, »the apparently incon...
The article examines the role of the avant-gardes in the philosophy of Alain Badiou. In Badiou’s boo...
The author discusses the difference between postmodernism and modernism, taking as example mostly ar...
The avant-garde has served as an agent of change in the arts and correspondingly in aesthetics throu...
In this paper I attempt to decipher some representative discourses concerning the »failure of the av...
In the article, the author discusses the so-called aesthetic (or heteronomous artistic) avant-gardes...
The author analyzes the concept of the sublime as it has been used by Lyotard who bases it in Kant a...
Providing a factual analysis of different aspects of The Glossary of the Russian Avant-garde, the es...
This paper would like to argue that the two questions in its title are really one and the same and, ...
The author explores the relationship between art and politics from a historical perspective. His sta...
Knjiga Estetske revolucije in avantgardna gibanja dvajsetega stoletja je nastala pod uredniškim vods...
The widespread suspicion of the domination of vision in modern culture expressed by many French inte...
Der Beitrag befaßt sich mit zwei paradigmatischen gegensätzlichen Diskursen über Postmoderne und Mod...
The essay presents an analysis of the tactics of forming a literary canon in Yugoslavia and Croatia ...
The aim of the article is to answer two principal questions: can we still speak of the essence of ar...
In L'oeuvre de l'art. La relation esthétique (1997) Gérard Genette notes that, »the apparently incon...