Nekaj misli o prenosu spektralnih idej v slovenski glasbeni prostor

The article examines groups of composers who were active after the Second World War. An analysis of their role in the development of composition practices seeks to answer the question of why spectralism, which strongly marked French music and has resonated in European music ever since the 1970s, hardly emerged at all in Slovenia. It has slowly found its way into Slovenian musical consciousness only in the twenty-first century.Članek se posveča skladateljskim skupinam po drugi svetovni vojni. Ob analizi njihove vloge v razvoju skladateljskih praks poskuša poiskati odgovore na vprašanje, zakaj se spektralne ideje, ki so močno zaznamovale francosko in odmevale v evropski glasbi od sedemdesetih let naprej, pri nas skorajda niso pojavile. Počasi vstopajo v našo glasbeno zavest šele v tem stoletju