The Italian composer and instrumentalist Fortunato Chelleri paid three visits to London between 1725 and 1728. Although he failed to have any of his operas performed there, he distinguished himself as a harpsichordist and cellist and left a permanent record of his visits in the form of a published collection of cantatas and arias (1727) that demonstrates his considerable merit as a composer. The article also examines the extraordinary success enjoyed by the Italian cantata in Britain during the same period.Italijanski skladatelj in inštrumentalist Fortunato Chelleri je med letoma 1725 in 1728 trikrat obiskal London. Čeprav mu ni uspelo, da bi tam izvajali katero izmed njegovih oper, so ga opazili kot izjemnega čembalista in čelista. Kot tra...
The article is the result of some researches about the ideas on the operatic reform appeared in Ital...
Guadagni’s first visit to London spanned seven years, from the autumn of 1748 to summer 1755. He arr...
Praised by poets, scholars, and fellow musicians of his day, the singer, lutenist, and teacher Pietr...
The year is 1711, the author is the celebratedEnglish essayist and critic Joseph Addison, and his su...
This article investigates the presence of Lorenzo Da Ponte on the English stage between the end of t...
This article offers some remarks concerning the Roman musical milieu – with special attention to the...
Catalogue arias were a regular feature of 18th-century continental opera, but as it happens, in the ...
The Veronese cellist and composer Giacob (Jacob) Basevi Cervetto (c.1690–1783), was the first musici...
Francesco Barsanti, an Italian immigrant musician in Britain, worked as a copyist to supplement his ...
The aim of the article is to determine the role of the composer Francesca Caccini in the Italian mus...
The aim of this thesis was to produce a performing edition of nine cantatas which form part of a col...
La storia della migrazione italiana a Londra è ricca e complessa. Fin dal Settecento, i musicisti it...
The early artistic career of Apolinary Kątski (1824–1879) was that of an infant prodigy – one of the...
This article discusses the function of Vincenzo Albrici and Charles II's Italian ensemble at the Eng...
The libretti by the Viennese court poet Pietro Metastasio dominated the Continental and London music...
The article is the result of some researches about the ideas on the operatic reform appeared in Ital...
Guadagni’s first visit to London spanned seven years, from the autumn of 1748 to summer 1755. He arr...
Praised by poets, scholars, and fellow musicians of his day, the singer, lutenist, and teacher Pietr...
The year is 1711, the author is the celebratedEnglish essayist and critic Joseph Addison, and his su...
This article investigates the presence of Lorenzo Da Ponte on the English stage between the end of t...
This article offers some remarks concerning the Roman musical milieu – with special attention to the...
Catalogue arias were a regular feature of 18th-century continental opera, but as it happens, in the ...
The Veronese cellist and composer Giacob (Jacob) Basevi Cervetto (c.1690–1783), was the first musici...
Francesco Barsanti, an Italian immigrant musician in Britain, worked as a copyist to supplement his ...
The aim of the article is to determine the role of the composer Francesca Caccini in the Italian mus...
The aim of this thesis was to produce a performing edition of nine cantatas which form part of a col...
La storia della migrazione italiana a Londra è ricca e complessa. Fin dal Settecento, i musicisti it...
The early artistic career of Apolinary Kątski (1824–1879) was that of an infant prodigy – one of the...
This article discusses the function of Vincenzo Albrici and Charles II's Italian ensemble at the Eng...
The libretti by the Viennese court poet Pietro Metastasio dominated the Continental and London music...
The article is the result of some researches about the ideas on the operatic reform appeared in Ital...
Guadagni’s first visit to London spanned seven years, from the autumn of 1748 to summer 1755. He arr...
Praised by poets, scholars, and fellow musicians of his day, the singer, lutenist, and teacher Pietr...