A pianist and figurative writing / Pianist in glasbena figuralika

In keyboard music, early as well as modern, there are characteristic instrumental figures, which, in the case of great musical works, appear to be inextricably bound up with the compositional technique and the composer’s way of musical thinking. In studying keyboard music, it is necessary to consider the method of notation of the musical texture; it is the examination of this, the notational aspect of the musical work, that makes possible a correct understanding and interpretation of the composer’s ideas.Tako v stari kot v novi klavirski glasbi je prisotna značilna klavirska figuralika, ki je v primeru velikih glasbenih del neločljivo povezana s skladateljevo kompozicijsko tehniko in njegovim načinom glasbenega mišljenja. Ob študiju klavirskih glasbenih del je potrebno upoštevati tudi način, kako je skladatelj svojo kompozicijo notiral, saj je le po tej poti mogoče najti ključ za pravo razumevanje in interpretiranje njegovih zamisli