Trije Kyrie – Dolarjev skladateljski vzorec

Three Kyries from the Masses by Janez Krstnik Dolar (1621–1673) prove the clarity of the composer's creative process and profound grammar of music. Its frame is a distinct late-Renaissance fugue, the subject of which is based on the complex musical mode of thought of the period, in a musical language that is being freed from the old ramified world of hexachords but is in its thinking still firmly grounded in traditional modality.Trije Kyrie iz maš Janeza Krstnika Dolarja (1621–1673) potrjujejo skladateljev izčiščen skladateljski postopek in poglobljeno glasbeno gramatiko. Njun okvir je razvidna poznorenesančna fuga, njena glasbena vsebina pa temelji na kompleksnem glasbeno-mišljenjskem redu časa, na glasbenem jeziku, ki se že osvobaja starega razvejanega sveta heksakordov, pomensko pa je vsestransko še trdno zasidran v modalnem okviru