While cartoonists at a ‘Cartoons for Peace’ conference generally claimed that freedom of expression was a byword in their respective newspapers, many, in the same breath, identified the cartoon work of others that they would not dare submit. This divergence, argues the author in this commentary, suggests that cartoon taste and acceptability are based on learned or innate cultural traits and sensibilities and that self-censorship perhaps plays a bigger role in the thinking of cartoonists than many might admit, or even realise. So just as one man’s terrorist is another’s freedom fighter, so the attitudes of cartoonists are likely to have a similar range
Should cartoonists restrain their satirical instincts to protect public confidence in politicians, p...
This study is an effort to explore the role of political cartoons in opinion building and the expect...
Abstract / Throughout the history of democracy, political cartoonists have not hesitated to swing th...
New Zealand Herald cartoonist Malcolm Evans was dismissed from the newspaper after he refused t...
On 11 August 2003, after producing some 1600 cartoons, Malcolm Evans was controversially dismissed f...
© 2008 Copyright is vested in the authors. Apart from any fair dealing permitted according to the p...
Copyright © The author(s). First published by Australian Review of Public Affairs 2004.In a previou...
This short comment assesses the situation of cartoons, comics and human rights after the Charlie Heb...
The POLIS Summer School students have turned their multi-national attention to the hottest topic in ...
Despite their communicative power, cartoonists have often been viewed as the detached outsiders of t...
Few things are as innocent as a weekly episode of Charles Shultz's Peanuts in the Sunday newspaper. ...
Brazilian cartoonist Carlos Latuff has been described by Allers in Menassat as `a one-man cartoon wr...
The author discusses the works of political posters, caricatures, and cartoons and how the artists u...
DISRUPTING TRADITIONAL CARTOONING IN THE DIGITAL AGE This exegesis identifies the changing nature o...
Operating as a form of visual news discourse, editorial cartoons hold a unique commentary position w...
Should cartoonists restrain their satirical instincts to protect public confidence in politicians, p...
This study is an effort to explore the role of political cartoons in opinion building and the expect...
Abstract / Throughout the history of democracy, political cartoonists have not hesitated to swing th...
New Zealand Herald cartoonist Malcolm Evans was dismissed from the newspaper after he refused t...
On 11 August 2003, after producing some 1600 cartoons, Malcolm Evans was controversially dismissed f...
© 2008 Copyright is vested in the authors. Apart from any fair dealing permitted according to the p...
Copyright © The author(s). First published by Australian Review of Public Affairs 2004.In a previou...
This short comment assesses the situation of cartoons, comics and human rights after the Charlie Heb...
The POLIS Summer School students have turned their multi-national attention to the hottest topic in ...
Despite their communicative power, cartoonists have often been viewed as the detached outsiders of t...
Few things are as innocent as a weekly episode of Charles Shultz's Peanuts in the Sunday newspaper. ...
Brazilian cartoonist Carlos Latuff has been described by Allers in Menassat as `a one-man cartoon wr...
The author discusses the works of political posters, caricatures, and cartoons and how the artists u...
DISRUPTING TRADITIONAL CARTOONING IN THE DIGITAL AGE This exegesis identifies the changing nature o...
Operating as a form of visual news discourse, editorial cartoons hold a unique commentary position w...
Should cartoonists restrain their satirical instincts to protect public confidence in politicians, p...
This study is an effort to explore the role of political cartoons in opinion building and the expect...
Abstract / Throughout the history of democracy, political cartoonists have not hesitated to swing th...