While it is often said that 'truth is the first casualty of war', this aphorism covers only one feature of how wars are reported, namely the deliberate use of misinformation by parties to a war. But language is by its nature a higly plastic resource: there is never just one way to report a set of events, even when the 'facts' may be uncontested. Drawing on data from newspaper reports and media briefings of the recent war in Iraq, we illustarte some of the basic grammtical systems which underlie the choice a journalist has to make, particularly in reporting 'high impact' events of the war. Using a functional apporach to grammar—where grammar is seen not as rules but as a theory of reality— we introduce some basic grammatical concepts or unde...
A number of linguistic studies in recent decades have sought to explain the nature of war discourses...
ABSTRACT As this thesis argues, the pursuit of professionalism in journalism should be understood as...
Report on the Polis Panel at the LSE Literary Festival By Bjork Kjaernested People have always been ...
While it is often said that ‘truth is the first casualty of war’, this aphorism covers only one feat...
Meaningful Violence examines how journalists produce knowledge of war and the frictions – practical,...
This chapter proposes to examine the emergent forms and practices of blogging as an augmentation of...
Correspondents have long accompanied troops into war zones, and the role of embedded reporter quickl...
The term "bias" recognises that there is never only one way to represent a state of affairs. The pro...
This chapter is based on a 25,000 word corpus which was constructed from reports from international ...
The cultural perturbations created by 11 September (9/11) have produced a layering of discourses. Th...
Polis has taken to the battlefield with three talks by journalists back from the frontline: A multi-...
In 1876, an American newspaperman with the US 7th Cavalry, Mark Kellogg, declared: ‘I go with Custer...
This article analyzes the transformation of War journalism overthe years and focuses on some of the ...
American war reporting today, specifically in the Iraq War, differs in many ways from past American ...
none2This book addresses the expression of evaluation and stance in war news. It is the first extend...
A number of linguistic studies in recent decades have sought to explain the nature of war discourses...
ABSTRACT As this thesis argues, the pursuit of professionalism in journalism should be understood as...
Report on the Polis Panel at the LSE Literary Festival By Bjork Kjaernested People have always been ...
While it is often said that ‘truth is the first casualty of war’, this aphorism covers only one feat...
Meaningful Violence examines how journalists produce knowledge of war and the frictions – practical,...
This chapter proposes to examine the emergent forms and practices of blogging as an augmentation of...
Correspondents have long accompanied troops into war zones, and the role of embedded reporter quickl...
The term "bias" recognises that there is never only one way to represent a state of affairs. The pro...
This chapter is based on a 25,000 word corpus which was constructed from reports from international ...
The cultural perturbations created by 11 September (9/11) have produced a layering of discourses. Th...
Polis has taken to the battlefield with three talks by journalists back from the frontline: A multi-...
In 1876, an American newspaperman with the US 7th Cavalry, Mark Kellogg, declared: ‘I go with Custer...
This article analyzes the transformation of War journalism overthe years and focuses on some of the ...
American war reporting today, specifically in the Iraq War, differs in many ways from past American ...
none2This book addresses the expression of evaluation and stance in war news. It is the first extend...
A number of linguistic studies in recent decades have sought to explain the nature of war discourses...
ABSTRACT As this thesis argues, the pursuit of professionalism in journalism should be understood as...
Report on the Polis Panel at the LSE Literary Festival By Bjork Kjaernested People have always been ...