Add to ORKGFrom the Washington University Senior Honors Thesis Abstracts (WUSHTA), 2017. Published by the Office of Undergraduate Research. Joy Zalis Kiefer, Director of Undergraduate Research and Associate Dean in the College of Arts & Sciences; Lindsey Paunovich, Editor; Helen Human, Programs Manager and Assistant Dean in the College of Arts and Sciences Mentors: Henry Schvey, Jami Ake, and William Whitake
Thesis (MA)--PU vir CHO, 1986I have proved that prevarication is a current that initiates the evil a...
This dissertation investigates how the sensory body informs an audience’s reception, and perception,...
Shakespeare's three political tragedies―Hamlet, Macbeth, and King Lear―have numerously been presente...
Since the play’s authorship in 1610, actor-managers and directors alike have struggled over staging ...
The sense of hearing plays an important role in Renaissance England theatre to the extent that we mo...
Macbeth, written by William Shakespeare, is a complex tragedy driven by the relationships of its cha...
This thesis seeks to examine the use of sound on (and often, off-) the early modern stage. While its...
Today we consider theatre to be a visual performance medium, relying primarily on imagery for the cr...
This article examines William Shakespeare's plays for their relationship to Reformation music. It sk...
The witches in Shakespeare’s Macbeth equivocate between the demons of random malevolence and ordinar...
Shakespearean sound effects (or sound defects) depend not only on hearing with the eye (as in Sonnet...
The aural aspect of performance has emerged as a unique topic for theatre research at a time of tech...
This thesis is an examination of the subject of music in original practices productions of Shakespea...
From the knocking on the gate after Macbeth’s murder of Duncan to the sound of Ugolino’s teeth on th...
Much research has been done on the integral role of music in Shakespeare\u27s works. Many critics ev...
Thesis (MA)--PU vir CHO, 1986I have proved that prevarication is a current that initiates the evil a...
This dissertation investigates how the sensory body informs an audience’s reception, and perception,...
Shakespeare's three political tragedies―Hamlet, Macbeth, and King Lear―have numerously been presente...
Since the play’s authorship in 1610, actor-managers and directors alike have struggled over staging ...
The sense of hearing plays an important role in Renaissance England theatre to the extent that we mo...
Macbeth, written by William Shakespeare, is a complex tragedy driven by the relationships of its cha...
This thesis seeks to examine the use of sound on (and often, off-) the early modern stage. While its...
Today we consider theatre to be a visual performance medium, relying primarily on imagery for the cr...
This article examines William Shakespeare's plays for their relationship to Reformation music. It sk...
The witches in Shakespeare’s Macbeth equivocate between the demons of random malevolence and ordinar...
Shakespearean sound effects (or sound defects) depend not only on hearing with the eye (as in Sonnet...
The aural aspect of performance has emerged as a unique topic for theatre research at a time of tech...
This thesis is an examination of the subject of music in original practices productions of Shakespea...
From the knocking on the gate after Macbeth’s murder of Duncan to the sound of Ugolino’s teeth on th...
Much research has been done on the integral role of music in Shakespeare\u27s works. Many critics ev...
Thesis (MA)--PU vir CHO, 1986I have proved that prevarication is a current that initiates the evil a...
This dissertation investigates how the sensory body informs an audience’s reception, and perception,...
Shakespeare's three political tragedies―Hamlet, Macbeth, and King Lear―have numerously been presente...