Rad na ulozi Richarda u predstavi Ljubavnik

U ovom pisanom diplomskom radu, Gordan Marijanović opisuje rad na ispitnoj predstavi „Ljubavnik“ Harolda Pintera nastaloj u produkciji Akademije za umjetnost i kulturu u Osijeku pod mentorstvom doc. art. Jasmina Novljakovića. Na početku autor iznosi činjenice o samom projektu, opisuje svoj proces studiranja glume, proučava razvoj umjetničkog identiteta te istražuje informacije o piscu i djelu. Analizirajući vanjske čimbenike predstave poput vizualnog identiteta i glazbe, autor nas uvodi u centralni dio svoga rada u kojemu opisuje generalni tijek od ideje do inscenacije te ulazi u dublje proučavanje rada na predstavi. Opisuje proces rada obrazlažući odabir glumačkih alata i analizira tijek nastajanja svake pojedine scene. Ističe proces analize teksta pomoću kojeg činjenično opisuje lik koji igra. Najviše se koncentrira na rad na ulozi u kojemu opisuje postupke koji su ga doveli do određenih scenskih rješenja. Na samome kraju, zaključkom ističe brojna znanja koja je stekao pri radu na ovoj predstavi te naglašava važnost partnerske suigre u umjetničkom sazrijevanju pojedinca.In this written thesis, Gordan Marijanović describes the process of creating the play „Lover“ by Harold Pinter, produced by Academy for art and culture in Osijek and mentored by assist. prof. art. Jasmin Novljaković. On the beginning author brings facts about the project, describes his process of studying acting, explores the development of artistic identity and researches the information’s about drama and its author. Through analysing external factors of the play like visual identity and music, author introduces us in the central part of his written thesis in which he describes process from its starting idea to staging the play and starts with more detailed analysis. He describes working process through explaining the selection of specific acting tools and analyse the development of each separate scene. He points out the process of drama analysis by which he factually describes the character which he plays. He most concentrates on role working in which he writes about procedures that led him to specific scene solutions. At the end of this written thesis, he is concluding by pointing out the knowledge that he got by working on this play and emphasize the importance of partner interplay in artistic maturing of young individual