The graphic novelist and cartoonist, Alison Bechdel, ‘took the idea that the personal is political very much to heart as a young person.’ Though the politics of the personal have been central to all of her work, this article wagers that Bechdel’s connection with second wave feminism is particularly pronounced in her second graphic memoir, Are You My Mother? Bechdel’s text shares the second wave’s concern with the politics of telling stories about mothers, brought to public attention by Adrienne Rich, in Of Woman Born. Following in Rich’s footsteps, Bechdel’s text grapples with the effects of the cultural tendency to objectify and silence mothers. However, it also offers an account of how developments in feminist psychotherapy challenge the ...
This is the second introductory chapter to Gill Rye, 'Narratives of Mothering: Women's Writing in Co...
This practice-based research project, given urgency by the impacts of COVID-19, seeks to account for...
This paper is a close-reading of Alison Bechdel’s comics Fun Home, subtitled A Family Tragicomic, as...
“I can’t help you. You’re on your own”: Alison Bechdel’s Graphic Memoir by Ellen Handler Spitz Ali...
International audienceBased on Alison Bechdel's autobiographical essay Are You My Mother?, this arti...
In a field that is more and more concerned with promoting comics auteurs, it is striking that Alison...
This thesis focuses on the graphic novels Are You My Mother? and Fun Home by Alison Bechdel. I d...
This essay argues that Alison Bechdel’s Proustian allusions in Fun Home structure queer gender and s...
In this essay, I investigate the representation of inter-generationally transmitted queer trauma and...
Women authors, autobiographies, and graphic novels are all marginalized in literary circles. Yet Ali...
In the autobiographical illustrated novel Fun Home, Alison Bechdel uses various art styles and comic...
V magistrski nalogi smo analizirali dve deli, ki jih je napisala avtorica Alison Bechdel, naslovljen...
In this book chapter originally presented as a plenary paper at the International Conference ‘Contem...
Alison Bechdel is a cartoonist and memoirist from the EUA, who published in 2013 her second graphic ...
Alison Bechdel's autobiographical graphic novel, Fun Home (2006), intricately weaves together the au...
This is the second introductory chapter to Gill Rye, 'Narratives of Mothering: Women's Writing in Co...
This practice-based research project, given urgency by the impacts of COVID-19, seeks to account for...
This paper is a close-reading of Alison Bechdel’s comics Fun Home, subtitled A Family Tragicomic, as...
“I can’t help you. You’re on your own”: Alison Bechdel’s Graphic Memoir by Ellen Handler Spitz Ali...
International audienceBased on Alison Bechdel's autobiographical essay Are You My Mother?, this arti...
In a field that is more and more concerned with promoting comics auteurs, it is striking that Alison...
This thesis focuses on the graphic novels Are You My Mother? and Fun Home by Alison Bechdel. I d...
This essay argues that Alison Bechdel’s Proustian allusions in Fun Home structure queer gender and s...
In this essay, I investigate the representation of inter-generationally transmitted queer trauma and...
Women authors, autobiographies, and graphic novels are all marginalized in literary circles. Yet Ali...
In the autobiographical illustrated novel Fun Home, Alison Bechdel uses various art styles and comic...
V magistrski nalogi smo analizirali dve deli, ki jih je napisala avtorica Alison Bechdel, naslovljen...
In this book chapter originally presented as a plenary paper at the International Conference ‘Contem...
Alison Bechdel is a cartoonist and memoirist from the EUA, who published in 2013 her second graphic ...
Alison Bechdel's autobiographical graphic novel, Fun Home (2006), intricately weaves together the au...
This is the second introductory chapter to Gill Rye, 'Narratives of Mothering: Women's Writing in Co...
This practice-based research project, given urgency by the impacts of COVID-19, seeks to account for...
This paper is a close-reading of Alison Bechdel’s comics Fun Home, subtitled A Family Tragicomic, as...