"… move or be moved by some thing rather than oneself. examines the intersections between methods of creation and reflection particular to curatorial and choreographic spheres. As part of the ongoing discussion on dance in the museum, this exhibition responds specifically by disengaging from the danced gesture. It gathers artists who, on the one hand, borrow from curatorial and choreographic methodologies; and who, on the other hand, transform the multiple spaces (physical, virtual, social, political, historical, etc.) and temporalities of the gallery." -- Editor website
Philosophers of art draw a distinction between two broad sets of concerns: questions about aesthetic...
This article explores the concepts of mobility, transformation and re-location in relation to site-s...
For the exhibition Your Movement Grace Schwindt worked together with several female participants to ...
"… move or be moved by some thing rather than oneself. examines the intersections between methods of...
"Move. Choreographing You explores the interaction between visual art and dance since the 1960s. Thi...
My research investigates choreography that uses the kinesthetic experience of making visual art to i...
By viewing the museum experience as inextricably linked to an interactive nexus of bodies and object...
In art, there are artists and there are audiences, which the former is trying to reach. Accomplishin...
This edited volume explores site-specific dance performance and engages with interdisciplinary persp...
As an anthropologist and dancer, I ask how gesture emerges within a dance production process. The re...
Moving Publics develops a set of strategies for analyzing how professional site-based dances refunct...
Dance involves a set of movements that embody social memory. Such forms of intangible heritage have ...
Discourse on music videos widely views and examines the image within the video, along with the visua...
This thesis sets out to uncover the core elements that constitute butoh and identify the features th...
Humans were expressing their needs and emotions in movement far before developing speech or any othe...
Philosophers of art draw a distinction between two broad sets of concerns: questions about aesthetic...
This article explores the concepts of mobility, transformation and re-location in relation to site-s...
For the exhibition Your Movement Grace Schwindt worked together with several female participants to ...
"… move or be moved by some thing rather than oneself. examines the intersections between methods of...
"Move. Choreographing You explores the interaction between visual art and dance since the 1960s. Thi...
My research investigates choreography that uses the kinesthetic experience of making visual art to i...
By viewing the museum experience as inextricably linked to an interactive nexus of bodies and object...
In art, there are artists and there are audiences, which the former is trying to reach. Accomplishin...
This edited volume explores site-specific dance performance and engages with interdisciplinary persp...
As an anthropologist and dancer, I ask how gesture emerges within a dance production process. The re...
Moving Publics develops a set of strategies for analyzing how professional site-based dances refunct...
Dance involves a set of movements that embody social memory. Such forms of intangible heritage have ...
Discourse on music videos widely views and examines the image within the video, along with the visua...
This thesis sets out to uncover the core elements that constitute butoh and identify the features th...
Humans were expressing their needs and emotions in movement far before developing speech or any othe...
Philosophers of art draw a distinction between two broad sets of concerns: questions about aesthetic...
This article explores the concepts of mobility, transformation and re-location in relation to site-s...
For the exhibition Your Movement Grace Schwindt worked together with several female participants to ...