Add to ORKGFor the 'Page 1: Great Expectations' book project, Lucienne Roberts and Rebecca Wright (GraphicDesign&) invited 70 contributors to submit a new design for the first page of Charles Dickens' Great Expectations. Tim Hutchinson produced a design response by typesetting the content so that no character would have the same point size concurrently. The result creates a peculiar, warping of the form and distorts the emphasis of the text
Sherlock Holmes Book Design Sherlock Holmes, written by Sir Arthur Conan Doyle, is a novel from the ...
When it comes to typography language always comes first. This might seem like a fairly obvious state...
When walking around campus, students are bombarded with information at every turn. There are multipl...
For the Page 1 book project, Lucienne Roberts and Rebecca Wright (GraphicDesign&) invited 70 contrib...
Page 1 is an unusual typographic experiment designed to explore the relationship between graphic des...
Contribution to a publication with seventy designers who re-interpreted the first page of Dickens' G...
The book analyzes and discusses two of the most difficult issues relating to graphic design layout: ...
Fiona Ross, John Hudson (co-designers) were specially commissioned by Harvard University Press to de...
Shaping text is our term for how communicators choreograph content in order to guide and influence r...
Artist Statement The premise of this project was to create a unique cover for the book Gulliver’s Tr...
BARDS is a browser-based remix engine for three different textual versions and four graphic novel in...
In this experimental typography project, we translated an assigned classic horror short story into a...
This book reflects on the point in the design process when the constraints of convention are release...
Physical shape is very relevant for understanding the position of the printed book in this digital a...
As a serial novel immediately popular upon its publication, Charles Dickens’ Bleak House generated a...
Sherlock Holmes Book Design Sherlock Holmes, written by Sir Arthur Conan Doyle, is a novel from the ...
When it comes to typography language always comes first. This might seem like a fairly obvious state...
When walking around campus, students are bombarded with information at every turn. There are multipl...
For the Page 1 book project, Lucienne Roberts and Rebecca Wright (GraphicDesign&) invited 70 contrib...
Page 1 is an unusual typographic experiment designed to explore the relationship between graphic des...
Contribution to a publication with seventy designers who re-interpreted the first page of Dickens' G...
The book analyzes and discusses two of the most difficult issues relating to graphic design layout: ...
Fiona Ross, John Hudson (co-designers) were specially commissioned by Harvard University Press to de...
Shaping text is our term for how communicators choreograph content in order to guide and influence r...
Artist Statement The premise of this project was to create a unique cover for the book Gulliver’s Tr...
BARDS is a browser-based remix engine for three different textual versions and four graphic novel in...
In this experimental typography project, we translated an assigned classic horror short story into a...
This book reflects on the point in the design process when the constraints of convention are release...
Physical shape is very relevant for understanding the position of the printed book in this digital a...
As a serial novel immediately popular upon its publication, Charles Dickens’ Bleak House generated a...
Sherlock Holmes Book Design Sherlock Holmes, written by Sir Arthur Conan Doyle, is a novel from the ...
When it comes to typography language always comes first. This might seem like a fairly obvious state...
When walking around campus, students are bombarded with information at every turn. There are multipl...