In 1911 T.E. Peet pointed out for the first time the difficulty of interpreting the earliest examples of Maltese prehistoric painted pottery. After a century of excavations and research this issue is still largely open especially with regard to Bronze Age wares. This paper deals with the Bronze Age painted pottery class named 'dribbled ware', characterized by decoration produced with the partial application of a thick slip instead of paint. This ware has been reported from several sites in the Maltese archipelago. Focusing on the evidence from In-Nuffara in Gozo, a new hypothesis about the chronology and function of the dribbled ware will be presented.peer-reviewe
This paper was inspired by the recent online publication of a 2015 Master's dissertation at a Briti...
The archaeological study of recent periods in Malta is in its infancy. Despite the high potential fo...
The Middle Bronze Age (15th-13th century BC) is without doubts the most relevant period in the histo...
Twelve fragments of pottery, clearly not prehistoric in date, have been found in the stores of the ...
The end of prehistory in the Maltese archipelago is characterized by the production of a problematic...
The excavations carried out by M. Murray between 1921 and 1927 in the area of the Borġ in-Nadur temp...
Much of what is known about Malta’s ancient material culture has come to light as a result of antiqu...
During the study of a pottery assemblage collected at the Sicilian site of Licata-Caduta (Agrigento)...
The paper aims at providing an overview of the production of vessel forms, originating from prototyp...
It has been widely accepted that small islands were suitably placed to adapt to niche markets in the...
The topic of the relations between the Maltese Archipelago and the Aegean in the Bronze Age and in t...
The earliest artistic manifestations in Malta date to prehistoric times. This is testified by a ri...
YesThe paper attempts to explain the chronological gap between middle Neolithic and Early Bronze Age...
Malta is striking by its diminutive size and its inversely proportional cultural achievement in preh...
Pottery technology, although largely neglected in studies of the Sicilian Early Bronze Age (Castellu...
This paper was inspired by the recent online publication of a 2015 Master's dissertation at a Briti...
The archaeological study of recent periods in Malta is in its infancy. Despite the high potential fo...
The Middle Bronze Age (15th-13th century BC) is without doubts the most relevant period in the histo...
Twelve fragments of pottery, clearly not prehistoric in date, have been found in the stores of the ...
The end of prehistory in the Maltese archipelago is characterized by the production of a problematic...
The excavations carried out by M. Murray between 1921 and 1927 in the area of the Borġ in-Nadur temp...
Much of what is known about Malta’s ancient material culture has come to light as a result of antiqu...
During the study of a pottery assemblage collected at the Sicilian site of Licata-Caduta (Agrigento)...
The paper aims at providing an overview of the production of vessel forms, originating from prototyp...
It has been widely accepted that small islands were suitably placed to adapt to niche markets in the...
The topic of the relations between the Maltese Archipelago and the Aegean in the Bronze Age and in t...
The earliest artistic manifestations in Malta date to prehistoric times. This is testified by a ri...
YesThe paper attempts to explain the chronological gap between middle Neolithic and Early Bronze Age...
Malta is striking by its diminutive size and its inversely proportional cultural achievement in preh...
Pottery technology, although largely neglected in studies of the Sicilian Early Bronze Age (Castellu...
This paper was inspired by the recent online publication of a 2015 Master's dissertation at a Briti...
The archaeological study of recent periods in Malta is in its infancy. Despite the high potential fo...
The Middle Bronze Age (15th-13th century BC) is without doubts the most relevant period in the histo...