‘Super technology is going to ask for super tactility’ (Lidewii Edelkoort). Exploring this statement, this chapter reflects on the disconnection between digital fashion tools that lack sensory feedback and the critical role of designers’ embodied experience for their practice. In order to support this discussion, additional literature is brought in, which shows that in dance bodily engagement is crucial for supporting and enhancing the creative process. This is done to explore aspects of mediation and embodiment further, and to propose a research agenda for the investigation of textile experience
Clothing design for dance is an area that has been little documented, particularly in relation to th...
Communication-Wear is a clothing concept that augments the mobile phone by enabling expressive messa...
Handling textiles is not only a semantic experience, but also an emotional one. Whilst handling a te...
The Awareness Project investigates the following question: Can dialogue tools that challenge tactile...
Studying tactile experience is important and timely, considering how this channel is being harnessed...
In a context where fashion design and retail activities are increasingly transferring to the digital...
This research is concerned with the use of wearable technology in the process of improvising and how...
At a time of rapid digital transition in garment design industries and education, this thesis ethnog...
The emergent field of smart textiles is recognized as an interdisciplinary domain. While each discip...
The ongoing project discusses how we as a society perceive and communicate through bodily experience...
Current interactive media presentations of textiles provide an impoverished communication of their '...
The emergence of immersive virtual worlds opens up new possibilities for fashion designers on how to...
Handling textiles is not only a semantic experience, but also an emotional one. Whilst handling a te...
In our digitally enabled lives, we are constantly entering into relationships and interacting with d...
The textile selection is a crucial part of the design process, for which there is no systematic unde...
Clothing design for dance is an area that has been little documented, particularly in relation to th...
Communication-Wear is a clothing concept that augments the mobile phone by enabling expressive messa...
Handling textiles is not only a semantic experience, but also an emotional one. Whilst handling a te...
The Awareness Project investigates the following question: Can dialogue tools that challenge tactile...
Studying tactile experience is important and timely, considering how this channel is being harnessed...
In a context where fashion design and retail activities are increasingly transferring to the digital...
This research is concerned with the use of wearable technology in the process of improvising and how...
At a time of rapid digital transition in garment design industries and education, this thesis ethnog...
The emergent field of smart textiles is recognized as an interdisciplinary domain. While each discip...
The ongoing project discusses how we as a society perceive and communicate through bodily experience...
Current interactive media presentations of textiles provide an impoverished communication of their '...
The emergence of immersive virtual worlds opens up new possibilities for fashion designers on how to...
Handling textiles is not only a semantic experience, but also an emotional one. Whilst handling a te...
In our digitally enabled lives, we are constantly entering into relationships and interacting with d...
The textile selection is a crucial part of the design process, for which there is no systematic unde...
Clothing design for dance is an area that has been little documented, particularly in relation to th...
Communication-Wear is a clothing concept that augments the mobile phone by enabling expressive messa...
Handling textiles is not only a semantic experience, but also an emotional one. Whilst handling a te...