Maria Lassnig's and Carolee Schneemann's films show how they expanded their artistic practices from painting to experimental and animation film. Part of the feminist art movement of the 1970s and the filmmakers group Women/Artist/Filmmakers, Inc . their work supports the feminist approach towards an emancipation of the body and the recognition of women artists. The relation between the formal depiction of women's bodies and their reflection in the transformation and animation in film depicts a formal approach towards a feminist aesthetic. The comparison with independent animation films and the experimental films of Carolee Schneemann as part of the Women/Artist/Filmmakers, Inc., sets Maria Lassnig's work in the context of her time. Maria...
The Exhibition included 2 photographic works by Shemilt.Feminist Avant–Garde of the 1970s, an expans...
This report is the outcome of a month-long practicum and exploratory study of the history of feminis...
What is the significance of gendered identification in relation to artists' moving image? How do wom...
Maria Lassnig’s and Carolee Schneemann’s films show how they expanded their artistic practices from ...
Zur autobiografischen Trilogie fasst Carolee Schneemann, amerikanische Malerin und Performancekünstl...
My study uses a socio-cultural interpretation of art and media to understand how women artists use t...
This article reads together the work of Yvonne Rainer and Carolee Schneemann, as situated between fi...
In 1983 a group of young East German women defied repressive laws and artistic conventions to form a...
Feministische Filmtheorien erforschen Kino als kulturelle Institution und untersuchen vor allem sein...
This bachelor thesis focuses on early feminist audio-visual works in relation to the author’s own ba...
“Experimental cinema, video art, and new media art have always been fields in which the presence of ...
This performative paper examines the conditions through which Carolee Schneemann’s texts operate as ...
Feminist art is an artistic political movement that arised as an expression of feminism. It shows an...
International audienceThe Austrian artist Maria Lassnig (1919-2014) had to constantly fight for the ...
Raussert W. Exposing the body, Exploring 'homo respondens', and Rethinking Human-Nature Relations as...
The Exhibition included 2 photographic works by Shemilt.Feminist Avant–Garde of the 1970s, an expans...
This report is the outcome of a month-long practicum and exploratory study of the history of feminis...
What is the significance of gendered identification in relation to artists' moving image? How do wom...
Maria Lassnig’s and Carolee Schneemann’s films show how they expanded their artistic practices from ...
Zur autobiografischen Trilogie fasst Carolee Schneemann, amerikanische Malerin und Performancekünstl...
My study uses a socio-cultural interpretation of art and media to understand how women artists use t...
This article reads together the work of Yvonne Rainer and Carolee Schneemann, as situated between fi...
In 1983 a group of young East German women defied repressive laws and artistic conventions to form a...
Feministische Filmtheorien erforschen Kino als kulturelle Institution und untersuchen vor allem sein...
This bachelor thesis focuses on early feminist audio-visual works in relation to the author’s own ba...
“Experimental cinema, video art, and new media art have always been fields in which the presence of ...
This performative paper examines the conditions through which Carolee Schneemann’s texts operate as ...
Feminist art is an artistic political movement that arised as an expression of feminism. It shows an...
International audienceThe Austrian artist Maria Lassnig (1919-2014) had to constantly fight for the ...
Raussert W. Exposing the body, Exploring 'homo respondens', and Rethinking Human-Nature Relations as...
The Exhibition included 2 photographic works by Shemilt.Feminist Avant–Garde of the 1970s, an expans...
This report is the outcome of a month-long practicum and exploratory study of the history of feminis...
What is the significance of gendered identification in relation to artists' moving image? How do wom...