This is Part 4b of a multi-part essay gathering compositions with ascending lines and cadence gestures in European and European-influenced music. The repertoire here is polkas published in Europe or the United States between 1840 and 1861. Composers include, among others, Barili, D’Albert, Dodworth, Dressler, Grieg, Grobe, Lumbye, Rziha, Smetana, Johann Strauss, jr., Johann Strauss, sr., Valentini, Viereck, and Zawadzki. An appendix lists polkas mentioned in other publications of mine. A separate file contains data on form design in fifteen published polkas.Musi
The polka became a popular social dance very quickly in the early 1840s. Its music was the first to ...
This belongs to a multi-part essay series gathering compositions with ascending lines and upper-regi...
Part 4 of the New Historical Survey series covers the years 1780-1860. Part 4d samples hymn collecti...
This is Part 4b of a multi-part essay gathering compositions with ascending lines and cadence gestur...
This supplement has additional polkas from the 1840s and 1850s. Composers include, among others, Cha...
This essay continues from the Historical Survey Parts 4b & 4b2, which covered polkas between 1840 an...
This essay supplements the Historical Survey Part 4b, which covered ascending cadence gestures in po...
This new documentation of traditional European and European-influenced music with ascending lines an...
This file updates the Index published in January 2019. There are two sections. The first is a progre...
Part 2f of a multi-part essay gathers additional compositions with ascending and upper-register cade...
This is an index to musical compositions discussed in essays published on this platform since 2010, ...
This continues Part 4 of a multi-part essay gathering compositions with ascending lines and upper-re...
This is Part 2e of a multi-part essay gathering compositions with ascending lines and cadence gestur...
This is a documentation of traditional European music with ascending lines and cadence gestures. Par...
This is Part 5d of a multi-part essay gathering compositions with ascending lines and cadence gestur...
The polka became a popular social dance very quickly in the early 1840s. Its music was the first to ...
This belongs to a multi-part essay series gathering compositions with ascending lines and upper-regi...
Part 4 of the New Historical Survey series covers the years 1780-1860. Part 4d samples hymn collecti...
This is Part 4b of a multi-part essay gathering compositions with ascending lines and cadence gestur...
This supplement has additional polkas from the 1840s and 1850s. Composers include, among others, Cha...
This essay continues from the Historical Survey Parts 4b & 4b2, which covered polkas between 1840 an...
This essay supplements the Historical Survey Part 4b, which covered ascending cadence gestures in po...
This new documentation of traditional European and European-influenced music with ascending lines an...
This file updates the Index published in January 2019. There are two sections. The first is a progre...
Part 2f of a multi-part essay gathers additional compositions with ascending and upper-register cade...
This is an index to musical compositions discussed in essays published on this platform since 2010, ...
This continues Part 4 of a multi-part essay gathering compositions with ascending lines and upper-re...
This is Part 2e of a multi-part essay gathering compositions with ascending lines and cadence gestur...
This is a documentation of traditional European music with ascending lines and cadence gestures. Par...
This is Part 5d of a multi-part essay gathering compositions with ascending lines and cadence gestur...
The polka became a popular social dance very quickly in the early 1840s. Its music was the first to ...
This belongs to a multi-part essay series gathering compositions with ascending lines and upper-regi...
Part 4 of the New Historical Survey series covers the years 1780-1860. Part 4d samples hymn collecti...